{"id":86383,"date":"2018-03-10T00:10:58","date_gmt":"2018-03-10T00:10:58","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-derecho-de-autor-enla-obra-multimedia\/"},"modified":"2018-03-10T00:10:58","modified_gmt":"2018-03-10T00:10:58","slug":"el-derecho-de-autor-enla-obra-multimedia","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-juridicas-y-derecho\/el-derecho-de-autor-enla-obra-multimedia\/","title":{"rendered":"El derecho de autor enla obra multimedia"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Julian Rodriguez Pardo <\/strong><\/h2>\n<p>El sistema tecnol\u00f3gico digital ha introducido grandes riesgos para el autor: por ejemplo, c\u00f3mo proteger la integridad de su trabajo, c\u00f3mo impedir su reproducci\u00f3n sin el consentimiento necesario, o c\u00f3mo controlar su comunicaci\u00f3n  p\u00fablica universal a trav\u00e9s de internet.  la cobertura que, en general , brinda el dercho de autro ha de entenderse, en el caso espa\u00f1ol, como un sistema integrador de tres grandes niveles  de protecci\u00f3n, con claras implicaciones rec\u00edprocas: el sistema de tratados internacionales que la organizaci\u00f3n mundial de la propiedad intelectural adminsitraba desde 1886; el sistema de la uni\u00f3n europea, regulador de este derecho para sus estados miembros desde 1991; y, l\u00f3gicamente, el sistema espa\u00f1ol que, aun contando con sus peculiaridades nacionales, refleja ya con fidelidad la normativa comunitaria y el sistema internacional de tratados mencionado.  con objeto de desarrollar un estudio adecuado sobre la adaptaci\u00f3n de este derecho al nuevo entorno digital, este trabajo analiza los distintos niveles de protecci\u00f3n mencionados, atendiendo a la legislaci\u00f3n y la jurisprudencia, a la vez que realiza una aproximaci\u00f3n a los conceptos de obra multimedia y derecho de autor -este \u00faltimo desde una perspectiva hist\u00f3rica-.  a partir de aqu\u00ed, y teniendo en cuenta que estas pautas han sido seguidas por los tres escalones legislativos citados, debe afirmarse, como conclusi\u00f3n, que la obra multimedia y la comunicaci\u00f3n digital reciben una protecci\u00f3n  espec\u00edfica y clara, aunque imperfecta, bajo el derecho de autor. Es m\u00e1s, a\u00fan en el caso de la no existencia de estas tres concreciones legislativas, los productos multiemdia y sus autores continuar\u00edan gozando de una protecci\u00f3n jur\u00eddica suficiente a trav\u00e9s de las f\u00f3rmulas gen\u00e9ricas de defensa en las que se ha apoyado hist\u00f3ricamente este derecho.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El derecho de autor enla obra multimedia<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El derecho de autor enla obra multimedia <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Julian Rodriguez Pardo <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Navarra<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 15\/09\/2000<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Ana Azurmendi Adarraga<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: esteban L\u00f3pez-escobar fern\u00e1ndez <\/li>\n<li>emmanuel Derieux (vocal)<\/li>\n<li>Antonio Montoro fragua (vocal)<\/li>\n<li>alfonso Loureiro montero (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Julian Rodriguez Pardo El sistema tecnol\u00f3gico digital ha introducido grandes riesgos para el autor: por ejemplo, c\u00f3mo [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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