{"id":86419,"date":"2018-03-10T00:10:58","date_gmt":"2018-03-10T00:10:58","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-vida-escenica-en-pontevedra-1901-1924\/"},"modified":"2018-03-10T00:10:58","modified_gmt":"2018-03-10T00:10:58","slug":"la-vida-escenica-en-pontevedra-1901-1924","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-vida-escenica-en-pontevedra-1901-1924\/","title":{"rendered":"La vida esc\u00e9nica en pontevedra: 1901-1924"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Paulino Aparaicio Moreno <\/strong><\/h2>\n<p>El per\u00edodo 1901-1924 se caracteriza por ser de una gran actividad teatral en pontevedra.  el teatro principal y el circo-teatro fueron los teatros m\u00e1s importantes durante esta \u00e9poca de nuestro estudio.  las compa\u00f1\u00edas m\u00e1s importantes desfilaron por sus escenarios. Entre ellas, pueden citarse a la de enrique borr\u00e1s, margarita xirg\u00fa, rosario pino, francisco morano, carmen cobe\u00f1a, m\u00aa guerrero y d\u00edas de mendoza.  en la cartelera pontevedra, prevalecen obras contempor\u00e1neas espa\u00f1olas, habiendo superioridad del teatro declamado enprosa. La comedia y la zarzuela ser\u00e1n los g\u00e9neros m\u00e1s representados.  el teatro renovador, como el de valle-incl\u00e1n , unamuno, azor\u00edn, garc\u00eda lorca &#8230;, No lleg\u00f3 a escenificarse en pontevedra. Aqu\u00ed nos encontramos con autores consagrados que escriben un teatro de signo comercial.  los hermanos quintero, carlos, arniches, jaciento benavente, enrique garc\u00eda \u00e1lvarez, pedro mu\u00f1oz secay antonio paso cano fueron los m\u00e1s taquilleros.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La vida esc\u00e9nica en pontevedra: 1901-1924<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La vida esc\u00e9nica en pontevedra: 1901-1924 <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Paulino Aparaicio Moreno <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Nacional de educaci\u00f3n a distancia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 18\/09\/2000<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Mar\u00eda Pilar Esp\u00edn Templado<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jos\u00e9 nicolas Romera castillo <\/li>\n<li>Antonio Tordera s\u00e1ez (vocal)<\/li>\n<li> Muro munillo Miguel \u00e1ngel (vocal)<\/li>\n<li>Jes\u00fas Carlos Rubio jim\u00e9nez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Paulino Aparaicio Moreno El per\u00edodo 1901-1924 se caracteriza por ser de una gran actividad teatral en pontevedra. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,147,17070,1110,1111,628,6185],"tags":[11546,42439,5039,77816,181427,181426],"class_list":["post-86419","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-ciencias-de-las-artes-y-las-letras","category-nacional-de-educacion-a-distancia","category-teatro","category-teoria-analisis-y-critica-de-las-bellas-artes","category-teoria-analisis-y-critica-literarios","category-vocabulario-literario","tag-antonio-tordera-saez","tag-jesus-carlos-rubio-jimenez","tag-jose-nicolas-romera-castillo","tag-maria-pilar-espin-templado","tag-muro-munillo-miguel-angel","tag-paulino-aparaicio-moreno"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/86419","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=86419"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/86419\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=86419"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=86419"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=86419"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}