{"id":86577,"date":"2018-03-10T00:11:12","date_gmt":"2018-03-10T00:11:12","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/transitant-per-calle-mayor\/"},"modified":"2018-03-10T00:11:12","modified_gmt":"2018-03-10T00:11:12","slug":"transitant-per-calle-mayor","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/transitant-per-calle-mayor\/","title":{"rendered":"Transitant per calle mayor"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Rosanna Mestre P\u00e9rez <\/strong><\/h2>\n<p>Este trabajo es una lectura cr\u00edtica de la pel\u00edcula calle mayor, dirigida por juan antonio bardem en 1956.  en el cap\u00edtulo i se hilvanan las hip\u00f3tesis de trabajo: ciertos aspectos relevantes de la historia del estado espa\u00f1ol en los a\u00f1os 50 (con especial atenci\u00f3n a la pol\u00edtica de censura cinematogr\u00e1fica desarrollada por el franquismo y al particular desarrollo del proyecto cinematogr\u00e1fico de calle mayor) y la noci\u00f3n de intertextualidad o de relaci\u00f3n hipertextual en el terreno de la traducci\u00f3n-adaptaci\u00f3n.  en el cap\u00edtulo ii se analiza el texto cinematogr\u00e1fico de referencia a partir de tres ejes principales: el modelo tradicional de g\u00e9nero sexual que conduce a la estigmatizaci\u00f3n de la solter\u00eda femenina involuntaria; las relaciones de amistad informal que envuelven a los llamados \u00abse\u00f1oritos\u00bb de casino; y los espacios de la puesta en escena cinematogr\u00e1fica en que se aprecia m\u00e1s significativamente la socializaci\u00f3n del territorio provinciano.  se incluye tambi\u00e9n, en un anexo, el \u00abd\u00e9coupage\u00bb completo de la pel\u00edcula.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Transitant per calle mayor<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Transitant per calle mayor <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Rosanna Mestre P\u00e9rez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Universitat de val\u00e9ncia (estudi general)<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 26\/09\/2000<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jenaro Talens Carmona<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: santos Zunzunegui diez <\/li>\n<li>Juan  Miguel Company ramon (vocal)<\/li>\n<li> Zumal de arregi imanol (vocal)<\/li>\n<li>giulia Colaizzi (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Rosanna Mestre P\u00e9rez Este trabajo es una lectura cr\u00edtica de la pel\u00edcula calle mayor, dirigida por juan [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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