{"id":86901,"date":"2000-11-10T00:00:00","date_gmt":"2000-11-10T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-modernidad-de-la-tradicion-nueve-versiones-literarias-del-gaucho-en-la-formacion-del-imaginario-nacional-argentino1880-1930\/"},"modified":"2000-11-10T00:00:00","modified_gmt":"2000-11-10T00:00:00","slug":"la-modernidad-de-la-tradicion-nueve-versiones-literarias-del-gaucho-en-la-formacion-del-imaginario-nacional-argentino1880-1930","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-modernidad-de-la-tradicion-nueve-versiones-literarias-del-gaucho-en-la-formacion-del-imaginario-nacional-argentino1880-1930\/","title":{"rendered":"La modernidad de la tradicion. nueve versiones literarias del gaucho en la formaci\u00f3n del imaginario nacional argentino(1880-1930)"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Jes\u00fas Peris Llorca <\/strong><\/h2>\n<p>Este trabajo se propone rastrear el lugar de la literatura en la configuraci\u00f3n del imaginario nacional argentino a traves de nueve novelas que proponen nueve versiones de lo rural como origen desde lugares de enunciaci\u00f3n muy diferentes: sin rumbo, de eugenio cambaceres(1885), santos vega(1880) y hormiga negra (1881), de eduardo guti\u00e9rrez, la guerra gaucha(1905), de leopoldo lugones, pago chico(1908), de roberto j. Payro, de enrique larreta, y el ingl\u00e9s de los g\u00ed\u00bcesos (1924), y el romance de un gaucho (1930), de benito lynch.  este recorrido permite tambi\u00e9n entrever una de las funciones legitimadoras de la literatura se otorga a s\u00ed misma como intituci\u00f3n aut\u00f3noma moderna: la de depositaria de lotradicional.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La modernidad de la tradicion. nueve versiones literarias del gaucho en la formaci\u00f3n del imaginario nacional argentino(1880-1930)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La modernidad de la tradicion. nueve versiones literarias del gaucho en la formaci\u00f3n del imaginario nacional argentino(1880-1930) <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Jes\u00fas Peris Llorca <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Universitat de val\u00e9ncia (estudi general)<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 11\/10\/2000<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Sonia Mattalia Alonso<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: nicolas Rosa <\/li>\n<li>trinidad Barrera lopez (vocal)<\/li>\n<li>teodosio Fernandez rodriguez (vocal)<\/li>\n<li> Lopez alfonso Francisco Jos\u00e9 (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Jes\u00fas Peris Llorca Este trabajo se propone rastrear el lugar de la literatura en la configuraci\u00f3n del [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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