{"id":87222,"date":"2000-07-11T00:00:00","date_gmt":"2000-07-11T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/reminiscencias-liturgicas-y-ba%c2%adblicas-en-la-obra-de-alexandros-papadiamandis\/"},"modified":"2000-07-11T00:00:00","modified_gmt":"2000-07-11T00:00:00","slug":"reminiscencias-liturgicas-y-ba%c2%adblicas-en-la-obra-de-alexandros-papadiamandis","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/reminiscencias-liturgicas-y-ba%c2%adblicas-en-la-obra-de-alexandros-papadiamandis\/","title":{"rendered":"Reminiscencias lit\u00fargicas y b\u00edblicas en la obra de al\u00e9xandros papadiamandis"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Juan Garc\u00eda Mu\u00f1oz <\/strong><\/h2>\n<p>El primer volumen de la tesis contiene las siguientes partes:  i. Estudio de la vida y rasgos psicol\u00f3gicos de papadiamandis.  encuadre del autor desde el punto de vista literario e hist\u00f3rico.  ii.Con objeto de valorar debidamente las influencias de la liturgia ortodoxa y  de la biblia en la obra del escritor,se adjunta una introducci\u00f3n a la  historia religiosa cot\u00e1nea. Se estudian, finalmente, de forma cr\u00edtica los  rasgos de la religiosidad del autor.  iii.Reminiscencias lit\u00fargicas: se expone la perspectiva de papadiamandis sobre  temas de teolog\u00eda lut\u00fargica(especialmente de los elementos que configuran  cualquier ceremonia cultural), as\u00ed como sobre cada uno de los actos  lit\u00fargicos. Se incide particularmente en el car\u00e1cter fiel a la tradici\u00f3n  de la perspectiva teol\u00f3gica del escritor sobre liturgia, lo que le llev\u00f3  a sostener de forma cr\u00edtica una oposici\u00f3n a la pr\u00e1ctica corrupta de las  parroquias griegas de su \u00e9poca.  iv. Reminiscencias b\u00edblicas: tras una introducci\u00f3n sobre el papel de la  escritura en el autor, se procede alcomentario de los textos de la obra,  ordenados seg\u00fan los libros de ambos testamentos. El comentario ofrece la  ocasi\u00f3n a incidir en los rasgos espec\u00edficos de la religiosidad del autor  que se expusieron en la parte ii.  se completa la tesis con otros dos vol\u00famenes:  1) antolog\u00eda de texto sobre los temas de investigaci\u00f3n de la tesis.  2) glosario de t\u00e9rminos de la liturgia bizantina.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Reminiscencias lit\u00fargicas y b\u00edblicas en la obra de al\u00e9xandros papadiamandis<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Reminiscencias lit\u00fargicas y b\u00edblicas en la obra de al\u00e9xandros papadiamandis <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Juan Garc\u00eda Mu\u00f1oz <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 07\/11\/2000<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Alfonso Mart\u00ednez D\u00edez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Antonio Guzm\u00e1n guerra <\/li>\n<li>trofilo Moldovan (vocal)<\/li>\n<li>Antonio Jim\u00e9nez Garc\u00eda (vocal)<\/li>\n<li>Juan Signez codoner (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Juan Garc\u00eda Mu\u00f1oz El primer volumen de la tesis contiene las siguientes partes: i. Estudio de la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,147,628],"tags":[24678,6471,1837,182660,182662,182661],"class_list":["post-87222","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-ciencias-de-las-artes-y-las-letras","category-teoria-analisis-y-critica-literarios","tag-alfonso-Martinez-diez","tag-antonio-guzman-guerra","tag-antonio-jimenez-garcia","tag-juan-garcia-munoz","tag-juan-signez-codoner","tag-trofilo-moldovan"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/87222","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=87222"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/87222\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=87222"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=87222"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=87222"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}