{"id":87240,"date":"2000-08-11T00:00:00","date_gmt":"2000-08-11T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/ana-mariscal-1921-1995-biofilmografa%c2%ada-de-una-cineasta-espanola\/"},"modified":"2000-08-11T00:00:00","modified_gmt":"2000-08-11T00:00:00","slug":"ana-mariscal-1921-1995-biofilmografa%c2%ada-de-una-cineasta-espanola","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/ana-mariscal-1921-1995-biofilmografa%c2%ada-de-una-cineasta-espanola\/","title":{"rendered":"Ana mariscal (1921-1995): biofilmograf\u00edade una cineasta espa\u00f1ola"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Victoria Fonseca Aguilar <\/strong><\/h2>\n<p>Investigaci\u00f3n en torno a la figura de ana mariscal, una cineasta espa\u00f1ola cuya labor afecta a una pluralidad de puntos de vista vinculados a la historia del cine en nuestro pa\u00eds.  por otra parte, y sin que por ello sea labor determinante, es una de las primeras realizadoras en disponer de una filmograf\u00eda propia y continuada en la industria nacional. Con una metodolog\u00eda planteada a trav\u00e9s de diversos an\u00e1lisis comparativos, se ha categorizado tanto el trabajo como la trayectoria de mariscal en un intento de valorar, no ya sus aportaciones est\u00e9ticas, sino el tratar de situarla en su justo lugar de mujer realizadora, en su justo espacio dentro de nuestra cinematograf\u00eda.  en suma, aunar la disciplina que comporta el an\u00e1lisis en cualquier empresa cient\u00edfica con la creatividad producida por un an\u00e1lisis art\u00edstico.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Ana mariscal (1921-1995): biofilmograf\u00edade una cineasta espa\u00f1ola<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Ana mariscal (1921-1995): biofilmograf\u00edade una cineasta espa\u00f1ola <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Victoria Fonseca Aguilar <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 08\/11\/2000<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Rafael Utrera Macias<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Miguel De aguilera moyano <\/li>\n<li>Francisco Perales bazo (vocal)<\/li>\n<li> Garc\u00eda fern\u00e1ndez Emilio Carlos (vocal)<\/li>\n<li>Jos\u00e9 Manuel Palacio arranz (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Victoria Fonseca Aguilar Investigaci\u00f3n en torno a la figura de ana mariscal, una cineasta espa\u00f1ola cuya labor [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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