{"id":87490,"date":"2018-03-10T00:12:17","date_gmt":"2018-03-10T00:12:17","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-teatro-clasico-en-la-tragedia-de-lorca\/"},"modified":"2018-03-10T00:12:17","modified_gmt":"2018-03-10T00:12:17","slug":"el-teatro-clasico-en-la-tragedia-de-lorca","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/el-teatro-clasico-en-la-tragedia-de-lorca\/","title":{"rendered":"El teatro clasico en la tragedia de lorca"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Belen Albardiaz Gimenez <\/strong><\/h2>\n<p>Este estudio se centra en la comparaci\u00f3n de la tragedia griega(esquilo, s\u00f3focles y eur\u00edpides) con las dos tragedias de federico garc\u00eda lorca \u00abbodas de sangra\u00bb y \u00abyerma\u00bb, rastreando la huella que los autores cl\u00e1sicos han dejado en el dramaturgo granadino.  tras una introducci\u00f3n en la que se analiza el concepto de cultura cl\u00e1sica, la pervivencia de la tragedia griega y la tragedia en la tragedia lorquiana, se distinguen tres grandes zonas de influencia: coincidencias tem\u00e1ticas, coincidencias estructurales y conincidencias tem\u00e1ticas, coincidencias estructurales y coincidencias entre caracteres.  en las condiciones tem\u00e1ticas se analizan tres temas: la mujer, el amor y el destino y la culpa heredada. Las coincidencias estructurales se dividen en generales y espec\u00edficas. En las primeras, partiendo de \u00abla po\u00e9tica\u00bb de arist\u00f3teles, se analiza el pr\u00f3logo, los coros y el tratamiento de la acci\u00f3n. En las coincidencias estructurales espec\u00edficas se estudia la influencia que sobre la escena de la luna y la mendiga de \u00abbodas de sangre\u00bb pudieron ejercer una escena de \u00ablos persas\u00bb de esquilo, otra de \u00ablas eunm\u00e9nides\u00bb de esquilo y otra de \u00abheracles\u00bb de eur\u00edpides. Dentro del estudio de los personajes se distinguen tres apartados: coincidencias generales concretas y de detalle. En las generales se analizan los rasgos que definen al h\u00e9roe cl\u00e1sico y la motivaci\u00f3n de la acci\u00f3n, viendo c\u00f3mo ha perdurado en los personajes tr\u00e1gicos de lorca. En las concretas se distingue entre la presentaci\u00f3n de caracteres opuestos, destacando la realci\u00f3n que existe entre \u00abyerma\u00bb y dos hero\u00ednas sofocleas, \u00abant\u00edgona\u00bb y \u00abelectra\u00bb y, por otro lado, la lucha pasi\u00f3n\/raz\u00f3n, centr\u00e1ndose en la relaci\u00f3n entre \u00abmedea\u00bb y \u00abyerma\u00bb. Por \u00faltimo en las coincidencias de detalle,se analizan tres tipos de personajes: mensajeros, esclavas y nodrizas y ni\u00f1os.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El teatro clasico en la tragedia de lorca<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El teatro clasico en la tragedia de lorca <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Belen Albardiaz Gimenez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Granada<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 24\/11\/2000<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Gonz\u00e1lez V\u00e1zquez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Antonio S\u00e1nchez trigueros <\/li>\n<li>Francisco Talavera esteso (vocal)<\/li>\n<li>Andr\u00e9s Soria olmedo (vocal)<\/li>\n<li>Javier Campos daroca (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Belen Albardiaz Gimenez Este estudio se centra en la comparaci\u00f3n de la tragedia griega(esquilo, s\u00f3focles y eur\u00edpides) [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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