{"id":87583,"date":"2018-03-10T00:12:25","date_gmt":"2018-03-10T00:12:25","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/estudio-critico-la-novela-policiaca-espanola-de-posguerra-1940-1953\/"},"modified":"2018-03-10T00:12:25","modified_gmt":"2018-03-10T00:12:25","slug":"estudio-critico-la-novela-policiaca-espanola-de-posguerra-1940-1953","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/estudio-critico-la-novela-policiaca-espanola-de-posguerra-1940-1953\/","title":{"rendered":"Estudio critico la novela policiaca espa\u00f1ola de posguerra (1940-1953)"},"content":{"rendered":"<h2>Tesis doctoral de <strong> F. Javier Cristofol Allue <\/strong><\/h2>\n<p>En principio la novela policiaca espa\u00f1ola de la inmediata posguerra, comprendida entre los a\u00f1os 1940 y 1953 es un instrumento valido de conocimiento historico del primer franquismo, por una doble via: primero, porque realiza una critica social del regimen politico franquista, y porque presenta un compendio de los valores sociales dominantes. En el caso espa\u00f1ol, por las caracteristicas propias de la posguerra que deviene del conflicto helico, hay que a\u00f1adir una limitacion importante, por una parte deben enfrentarse a la censura de un regimen totalitario y por otra le falta de una tradicion de novela policiaca espa\u00f1ola, le hace dependiente de los modelos extranjeros.  la suma de la censura mas la copia, de las novelas extranjeras de c\u00f3mo resultado un hibrido policiaco, que refleja sociedades ficticias, pero de manera sesgada es posible encontrar frescas de la dura realidad espa\u00f1ola con elementos de critica social.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Estudio critico la novela policiaca espa\u00f1ola de posguerra (1940-1953)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Estudio critico la novela policiaca espa\u00f1ola de posguerra (1940-1953) <\/li>\n<li><strong>Autor:<\/strong>\u00a0 F. Javier Cristofol Allue <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 29\/11\/2000<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Florit Capella<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: bernat Muniesa brito <\/li>\n<li>jaume Sobregues callico (vocal)<\/li>\n<li>andreu Mayayo i artal (vocal)<\/li>\n<li>Antonio Viader vives (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de F. Javier Cristofol Allue En principio la novela policiaca espa\u00f1ola de la inmediata posguerra, comprendida entre los [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[951,149,104,713,222],"tags":[124822,183245,30558,183243,183244,31636],"class_list":["post-87583","post","type-post","status-publish","format-standard","hentry","category-barcelona","category-critica-de-textos","category-historia","category-historia-de-la-literatura","category-historias-especializadas","tag-andreu-mayayo-i-artal","tag-antonio-viader-vives","tag-bernat-muniesa-brito","tag-f-javier-cristofol-allue","tag-jaume-sobregues-callico","tag-jose-florit-capella"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/87583","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=87583"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/87583\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=87583"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=87583"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=87583"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}