{"id":87851,"date":"2000-12-12T00:00:00","date_gmt":"2000-12-12T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-formacion-musical-de-los-maestros-en-gran-canaria-1900-1971\/"},"modified":"2000-12-12T00:00:00","modified_gmt":"2000-12-12T00:00:00","slug":"la-formacion-musical-de-los-maestros-en-gran-canaria-1900-1971","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-formacion-musical-de-los-maestros-en-gran-canaria-1900-1971\/","title":{"rendered":"La formaci\u00f3n musical de los maestros en gran canaria (1900-1971)"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Juan a Argimira Alonso Medina <\/strong><\/h2>\n<p>Se trata de un estudio sobre la evoluci\u00f3n de la formaci\u00f3n musical de los maestros mediante el an\u00e1lisis de los diferentes planes de estudio que conduc\u00edan al titulo de maestro desde principios de siglo hasta la incorporaci\u00f3n de los mismos al rango universitario.  tambi\u00e9n se describe la vida y obra de los diferentes profesores de m\u00fascia que ejercieron su docencia en la antigua escuela normal de las palmas de gran canaria, fundamentada en los documentos que se conservan en los archivos de la misma y completada con entrevistas realizadas por la doctoranda a familiares de algunos de ellos. Para complementar c\u00f3mo era la formaci\u00f3n musical en general, en el periodo que se investiga se analiza la labor realizada por la secci\u00f3n femenina en la isla de gran canaria y se hace un estudio del conservatorio de las palmas de gran canaria.  se han obtendio conclusiones interesantes en este campo fijando, por ejemplo, la fecha de introducci\u00f3n de los primeros estudios musicales en la formaci\u00f3n de los maestros y se plantean interrogantes que dar\u00e1n origen a nuevas investigaciones en el campo de la historia de la educaci\u00f3n en gran canaria.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La formaci\u00f3n musical de los maestros en gran canaria (1900-1971)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La formaci\u00f3n musical de los maestros en gran canaria (1900-1971) <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Juan a Argimira Alonso Medina <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Palmas de gran canaria<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 12\/12\/2000<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Rodr\u00edguez Cruz M. Pino<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: p\u00edo Tur mayans <\/li>\n<li>emigdia Repetto jim\u00e9nez (vocal)<\/li>\n<li>ram\u00f3n L\u00f3pez caneda (vocal)<\/li>\n<li>Mar\u00eda  feliciana Argueda carmona (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Juan a Argimira Alonso Medina Se trata de un estudio sobre la evoluci\u00f3n de la formaci\u00f3n musical [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,1140,9132,16629,1141,1288,1111],"tags":[68240,48501,63227,40211,25232,183646],"class_list":["post-87851","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-formacion-y-empleo-de-profesores","category-musica-y-musicologia","category-palmas-de-gran-canaria","category-pedagogia","category-preparacion-de-profesores","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-emigdia-repetto-jimenez","tag-juan-a-argimira-alonso-medina","tag-maria-feliciana-argueda-carmona","tag-pio-tur-mayans","tag-ramon-lopez-caneda","tag-rodriguez-cruz-m-pino"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/87851","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=87851"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/87851\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=87851"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=87851"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=87851"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}