{"id":87892,"date":"2018-03-10T00:12:46","date_gmt":"2018-03-10T00:12:46","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/pintura-toledana-en-la-segunda-mitad-del-siglo-xvii\/"},"modified":"2018-03-10T00:12:46","modified_gmt":"2018-03-10T00:12:46","slug":"pintura-toledana-en-la-segunda-mitad-del-siglo-xvii","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/pintura-toledana-en-la-segunda-mitad-del-siglo-xvii\/","title":{"rendered":"Pintura toledana en la segunda mitad del siglo xvii"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Paula Revenga Dominguez <\/strong><\/h2>\n<p>En este trabajo abordamos el estudio del foco pict\u00f3rico toledano en la segunda mitad del siglo xvii, atendiendo al complejo sistema de fuerzas econ\u00f3micas, sociales, ideol\u00f3gicas y culturales que influyeron en el proceso de creaci\u00f3n art\u00edstica. por ello, no s\u00f3lo hemos tratado de reconstruir la vida y obra de los pintores locales -trazando el perfil biogr\u00e1fico de los casi setenta art\u00edfices que tenemos documentados y elaborando el catalogo de obras de aquellos que tienen producci\u00f3n conocida-, sino que adem\u00e1s hemos intentado dilucidar aspectos como la singularidad del marco legal que rigi\u00f3 la pr\u00e1ctica del oficio en toledo, la inexistencia de una corporaci\u00f3n especifica de pintores, el proceso de aprendizaje y el acceso a los grados de oficial y maestro, el ambiente en que se desenvolvieron esos artistas, su posici\u00f3n econ\u00f3mica y social, las diferentes facetas que abarc\u00f3 su actividad profesional, el proceso del encargo y las formas de contrataci\u00f3n y producci\u00f3n, sin olvidar el fen\u00f3meno del patronazgo y el papel de la clientela y el mercado en el \u00e1mbito local.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Pintura toledana en la segunda mitad del siglo xvii<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Pintura toledana en la segunda mitad del siglo xvii <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Paula Revenga Dominguez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 14\/12\/2000<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Manuel Cruz Valdovinos<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: alfonso Perez sanchez <\/li>\n<li>Jos\u00e9 rogelio Buendia  mu\u00f1oz (vocal)<\/li>\n<li>Antonio Martinez ripoll (vocal)<\/li>\n<li>Jes\u00fas Urrea fernandez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Paula Revenga Dominguez En este trabajo abordamos el estudio del foco pict\u00f3rico toledano en la segunda mitad [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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