{"id":88362,"date":"2001-10-01T00:00:00","date_gmt":"2001-10-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/rolando-hinojosa-y-su-narrativa-the-klail-city-death-trip-series-hacia-una-preescritura-de-la-historiografa%c2%ada-social-del-valle-del-rio-grande-texas\/"},"modified":"2001-10-01T00:00:00","modified_gmt":"2001-10-01T00:00:00","slug":"rolando-hinojosa-y-su-narrativa-the-klail-city-death-trip-series-hacia-una-preescritura-de-la-historiografa%c2%ada-social-del-valle-del-rio-grande-texas","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/rolando-hinojosa-y-su-narrativa-the-klail-city-death-trip-series-hacia-una-preescritura-de-la-historiografa%c2%ada-social-del-valle-del-rio-grande-texas\/","title":{"rendered":"Rolando hinojosa y su narrativa, the klail city death trip series: hacia una preescritura de la historiograf\u00edasocial del valle del rio grande, texas."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Rodr\u00edguez Presedo M. Bego\u00f1a <\/strong><\/h2>\n<p>Nuestro trabajo de investigaci\u00f3n ha tenido como objetivo demostrar que el repertorio social e hist\u00f3rico presente en los textos hinojosianos que hemos analizado representa una reescritura de la historiograf\u00eda social del valle del r\u00edo grande, texas, desde una nueva perspectiva la de la minor\u00eda chicana y, en consecuencia, desde una posiccion que contrasta y ataca la versi\u00f3n de la historiograf\u00eda tradicional anglonorteamericana, que presenta al chicano como un reci\u00e9n llegado. Esta contradiccion hist\u00f3rica, que genera el conflicto \u00e9tnico entre la mayor\u00eda anglo y la minor\u00eda chicana, se convierte en pieza clave del entramado narrativo de la serie. La insistencia en la memoria, la presencia de \u00abviejitos\u00bb que se delaitan en recrear el pasado y hacerlo presente, y una polifon\u00eda de voces que se mezclan por doquier son los ingredientes de la tradici\u00f3n oral que se a\u00f1aden a un sofisticado uso de recurso metaliterarios que corroboran la presencia de una intraincada estructura narrativa al servicio de la memoria colectiva de una comunidad que tambi\u00e9n quiere contar su versi\u00f3n de los acontecido.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Rolando hinojosa y su narrativa, the klail city death trip series: hacia una preescritura de la historiograf\u00edasocial del valle del rio grande, texas.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Rolando hinojosa y su narrativa, the klail city death trip series: hacia una preescritura de la historiograf\u00edasocial del valle del rio grande, texas. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Rodr\u00edguez Presedo M. Bego\u00f1a <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Deusto<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 10\/01\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Suarez Casti\u00f1eira M. Luz<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: federico Eguiluz ortiz de la tierro <\/li>\n<li> Lopez liquete Mar\u00eda  felisa (vocal)<\/li>\n<li>Jos\u00e9 Antonio Gurpegui palacios (vocal)<\/li>\n<li>dionisia Tejera llano (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Rodr\u00edguez Presedo M. Bego\u00f1a Nuestro trabajo de investigaci\u00f3n ha tenido como objetivo demostrar que el repertorio social [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,147,149,31910,628],"tags":[36976,5720,3247,121100,184420,52227],"class_list":["post-88362","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-ciencias-de-las-artes-y-las-letras","category-critica-de-textos","category-deusto","category-teoria-analisis-y-critica-literarios","tag-dionisia-tejera-llano","tag-federico-eguiluz-ortiz-de-la-tierro","tag-jose-antonio-gurpegui-palacios","tag-lopez-liquete-maria-felisa","tag-rodriguez-presedo-m-begona","tag-suarez-castineira-m-luz"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/88362","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=88362"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/88362\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=88362"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=88362"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=88362"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}