{"id":88394,"date":"2001-12-01T00:00:00","date_gmt":"2001-12-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-musica-argentina-para-piano-del-neoclasicismo-al-neoexpresionismo-simbologa%c2%ada-y-neomitologismo\/"},"modified":"2001-12-01T00:00:00","modified_gmt":"2001-12-01T00:00:00","slug":"la-musica-argentina-para-piano-del-neoclasicismo-al-neoexpresionismo-simbologa%c2%ada-y-neomitologismo","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-musica-argentina-para-piano-del-neoclasicismo-al-neoexpresionismo-simbologa%c2%ada-y-neomitologismo\/","title":{"rendered":"La musica argentina para piano del neoclasicismo al neoexpresionismo. simbolog\u00eda y neomitologismo"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Ogas Jofre Julio Raul <\/strong><\/h2>\n<p>La etapa de la m\u00fasica argentina que se inicia a fines de la d\u00e9cada de 1920, con la irrupci\u00f3n del neoclasicismo de la mano de los compositores del grupo renovaci\u00f3n, produce la definitiva transici\u00f3n hacia las corrientes estil\u00edstica propias del siglo xx. Este movimiento, que es continuado por los posrenovadores y ha estado presente hasta la d\u00e9cada de los 80, comprende, adem\u00e1s del neoclasicismo, tendencias que profundizan en el sincronismo con europa como el atonalismo, el dodecafonismo, el serialismo, etc., Otras que reelaboran algunas influencias anteriores como el neoimpresionismo o el nerromanticismo y aquellas que intentan una s\u00edntesis, como el neoexpresionismo. La m\u00fasica para piano de este periodo destaca por su calidad, su cantidad y el hecho de ser uno de los vehiculos mas directo de difusi\u00f3n de las posturas est\u00e9ticas de sus autores.  la tesis comprente tres partes:1) la primera conjuga el estudio del estado de la reproducci\u00f3n pianistica den el momento de iniciarse la actividad del grupo renovaci\u00f3n, la elaboraci\u00f3n de un contexto hist\u00f3rico cultural de la epoca estudiada. Ii) la segunda se centra en el estudio de cinco producciones pianisticas representativas, que son las de juan jose castro, juan carlos paz, luis ginneo, carlos guastavino y alberto ginastera. Iii) a trav\u00e9s de la lectrua simb\u00f3lica de algunos de los textos estudiados en la parte ii, se intenta apreciar su inserci\u00f3n en el contexto neomitol\u00f3gico generado desde la literatura argentina y que caracteriz\u00f3 a buena parte de la cultura de este a pa\u00eds durante el siglo xx.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La musica argentina para piano del neoclasicismo al neoexpresionismo. simbolog\u00eda y neomitologismo<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La musica argentina para piano del neoclasicismo al neoexpresionismo. simbolog\u00eda y neomitologismo <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Ogas Jofre Julio Raul <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Oviedo<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 12\/01\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Angel Medina Alvarez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: emilio Casares rodicio <\/li>\n<li>enrique Camara de landa (vocal)<\/li>\n<li>Carlos Villanueva abelairas (vocal)<\/li>\n<li>celsa Alonso gonzalez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Ogas Jofre Julio Raul La etapa de la m\u00fasica argentina que se inicia a fines de la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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