{"id":88404,"date":"2001-12-01T00:00:00","date_gmt":"2001-12-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/iconografia-de-la-mare-de-deu-a-catalunya-al-segle-xiv-imatgeria\/"},"modified":"2001-12-01T00:00:00","modified_gmt":"2001-12-01T00:00:00","slug":"iconografia-de-la-mare-de-deu-a-catalunya-al-segle-xiv-imatgeria","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/iconografia-de-la-mare-de-deu-a-catalunya-al-segle-xiv-imatgeria\/","title":{"rendered":"Iconografia de la mare de deu a catalunya al segle xiv (imatgeria)"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Marta Crispi Canton <\/strong><\/h2>\n<p>La tesis tiene como objeto el estudio de la imagineria gotica catalana desde el punto de vista de la iconografia. Su objetivo es definir una serie de variantes iconograficas, comentar el simbolismo que entra\u00f1an a la luz de textos del periodo y establecer, cuando es posible, una serie de tipolog\u00edas utilizadas por los artistas trecentistas. Adem\u00e1s, de ello, se ofrece una vision amplia de lo que constituyo el culto y la devocion a maria en los ultimos siglos de la edad media.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Iconografia de la mare de deu a catalunya al segle xiv (imatgeria)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Iconografia de la mare de deu a catalunya al segle xiv (imatgeria) <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Marta Crispi Canton <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Aut\u00f3noma de barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 12\/01\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Francesca Espa\u00f1ol Bertran<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: joaquin Yarza luaces <\/li>\n<li> Sans Miguel dels sants (vocal)<\/li>\n<li>clara Fernandez ladrera (vocal)<\/li>\n<li>julia Ara gil (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Marta Crispi Canton La tesis tiene como objeto el estudio de la imagineria gotica catalana desde el [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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