{"id":88416,"date":"2001-12-01T00:00:00","date_gmt":"2001-12-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/polemicas-teatrales-del-siglo-xviii-en-espana-y-en-inglaterra\/"},"modified":"2001-12-01T00:00:00","modified_gmt":"2001-12-01T00:00:00","slug":"polemicas-teatrales-del-siglo-xviii-en-espana-y-en-inglaterra","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/pompeu-fabra\/polemicas-teatrales-del-siglo-xviii-en-espana-y-en-inglaterra\/","title":{"rendered":"Pol\u00e9micas teatrales del siglo xviii en espa\u00f1a y en inglaterra"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Gema Vives Rofes <\/strong><\/h2>\n<p>En la primera parte de la tesis se establece una comparaci\u00f3n entre dos obras metateatrales de finales del siglo xviii, la comedia nueva de l. F. De morat\u00edn y the critic de sheridan. Estas obras son examinadas en el contexto de las pol\u00e9micas teatrales que se produjeron durante el siglo en espa\u00f1a y en inglaterra. La segunda parte de la tesis explora las razones de una discrepancia. A pesar de ser muchas las similitudes entre el panorama teatrial dieciochesco en los dos pa\u00edses, en espa\u00f1a la soluci\u00f3n a un panorama que los neocl\u00e1sicos consideran deplorable se plantea en t\u00e9rminos de una \u00abreforma\u00bb y esta es auspiciada por el gobierno; en inglaterra no sucede nada parecido. En esta parte del trabajo se parte de algunas obras de cr\u00edtica capitales y, al hilo de los temas que tratan sus autores, se examina al distinto valor, peso o significado de algunos \u00abtelones de fondo\u00bb del a cr\u00edtica inglesa y espa\u00f1ola de la \u00e9poca: el patriotismo, la religi\u00f3n, la pol\u00edtica &#8230; De esta manera se llega a las diferencias en las circunstancias hist\u00f3ricas de ambos pa\u00edses que contribuyen a explicar la ausencia de una \u00abguerra\u00bb teatral en inglaterra. As\u00ed, por ejemplo, un factor que modifica sustancialmente la simetr\u00eda del paralelismo que en principio pudiera establecerse entre las pol\u00e9micas teatrales que se dan en ambos pa\u00edses esel religioso. Debido al papel que los puritanos hab\u00edan desempe\u00f1ado en la historia de inglaterra, los ataques virulentos del mundo teatral son all\u00ed ligeramente sospechosos, y ni el gobierno whig ni la monarqu\u00eda de hanover se plantearon intervenir activamente en una reforma teatral. Pero los puritanos y las clases medias, de gustos m\u00e1s remilgados que el p\u00fablico de la restauraci\u00f3n, tuvieron la fuerza suficiente para influir en el curso del teatro creando un clima del que naci\u00f3 la comedia sentimental.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Pol\u00e9micas teatrales del siglo xviii en espa\u00f1a y en inglaterra<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Pol\u00e9micas teatrales del siglo xviii en espa\u00f1a y en inglaterra <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Gema Vives Rofes <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pompeu fabra<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 12\/01\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Francisco Lafarga Maduell<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: inmaculada Urzainqui miqueleiz <\/li>\n<li>josep Mar\u00eda Sala valldaura (vocal)<\/li>\n<li>philip Deacon (vocal)<\/li>\n<li>Jos\u00e9 Checa beltr\u00e1n (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Gema Vives Rofes En la primera parte de la tesis se establece una comparaci\u00f3n entre dos obras [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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