{"id":88673,"date":"2018-03-10T00:13:42","date_gmt":"2018-03-10T00:13:42","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/arte-en-fotogramas-cine-realizado-por-artistas\/"},"modified":"2018-03-10T00:13:42","modified_gmt":"2018-03-10T00:13:42","slug":"arte-en-fotogramas-cine-realizado-por-artistas","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/arte-en-fotogramas-cine-realizado-por-artistas\/","title":{"rendered":"Arte en fotogramas. cine realizado por artistas"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Carlos Tejeda Garcia <\/strong><\/h2>\n<p>Estudio sobre las pel\u00edculas realizadas por artistas.  en la primera parte se analiza el movimiento desde sus dos aspectos est\u00e9ticos: ilusi\u00f3n de movimiento(evoluci\u00f3n hasta la invenci\u00f3n del cinemat\u00f3grafo) y como valor pl\u00e1stico(aut\u00f3matas, arte cin\u00e9tico, experiencias de luz y sonido&#8230;). se recopilan diversas teor\u00edas que sit\u00faan al cine dentro de los par\u00e1metros del arte cin\u00e9tico y se examina el acercamiento de los artistas hacia este medio. En la segunda parte se estudian cronol\u00f3gicamente las experiencias filmicas de los artistas desde las vanguardias hist\u00f3ricas (momento en el que se realizan las primeras pel\u00edculas experimentales: hans. Richter, walter ruttmann, man ray, marcel duchamp, laszlo moholy-nagym,salvador dali&#8230;) hasta la \u00e9poca contempor\u00e1nea (michael snow, robert smithson, bruce mauman, marcel broodthaers, david lynch, julian schanabel&#8230;), Y desde sus diversos enfoques( pel\u00edculas de y sobre artistas, films pintados directamente sobre pel\u00edcula, el film como documentaci\u00f3n de acciones y performances,&#8230;.).<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Arte en fotogramas. cine realizado por artistas<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Arte en fotogramas. cine realizado por artistas <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Carlos Tejeda Garcia <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 31\/01\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Luis Alonso Fernandez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: manuel Parralo dorado <\/li>\n<li> Fernandez mu\u00f1oz angel Luis (vocal)<\/li>\n<li>joaquin Gonzalez gonzalez (vocal)<\/li>\n<li> Farre brufau M\u00aa sol (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Carlos Tejeda Garcia Estudio sobre las pel\u00edculas realizadas por artistas. en la primera parte se analiza el [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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