{"id":88870,"date":"2018-03-10T00:13:55","date_gmt":"2018-03-10T00:13:55","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/como-las-emociones-contribuyen-para-modificar-las-formas-superficiales-de-la-figura-humana\/"},"modified":"2018-03-10T00:13:55","modified_gmt":"2018-03-10T00:13:55","slug":"como-las-emociones-contribuyen-para-modificar-las-formas-superficiales-de-la-figura-humana","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/como-las-emociones-contribuyen-para-modificar-las-formas-superficiales-de-la-figura-humana\/","title":{"rendered":"Como las emociones contribuyen para modificar las formas superficiales de la figura humana."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Gomes Lamego Margarita Regina <\/strong><\/h2>\n<p>Nuestro trabajo proviene de una curiosidad respecto a las emociones en la obra de arte,para ello realizamos estudios anat\u00f3micos, sin establecer conceptos, abordar sobre enfermedades ni figuraciones patol\u00f3gicas.  analizamos las emociones y el comportamiento muscular, los cambios en el modelado superficial de la figura humana. Considerando las emociones como un enriquecimiento y medio de expresi\u00f3n corporal.  enfocamos dentro de la obra de arte, valorando su contenido emocional est\u00e9tico.  la expresi\u00f3n emocional y fisin\u00f3mica -vistas bajo coneptos an\u00e1tomos, morf\u00f3logicos y fisiol\u00f3gicos- como un lenguaje m\u00f3vil, visible y expresivo. analizando los m\u00fasculos m\u00edmicos su asociaci\u00f3n y relaci\u00f3n con otros m\u00fasculos, cuyo conjunto confiere al rostro, sutilezas profundas, permitiendo la comunicaci\u00f3n de un lenguaje refinado.  observamos los v\u00e1lidos significados de las expresiones del rostro, y su estrecha relaci\u00f3n entre el contenido est\u00e9tico y ant\u00f3mico, transmitido por el artista, para no caer en especulaciones y divagaciones.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Como las emociones contribuyen para modificar las formas superficiales de la figura humana.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Como las emociones contribuyen para modificar las formas superficiales de la figura humana. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Gomes Lamego Margarita Regina <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 15\/02\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Antonio Ramos Notario<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: \u00e1lvaro Paricio latasa <\/li>\n<li>Jes\u00fas Vi\u00f1uelas gonzalez (vocal)<\/li>\n<li>Antonio P\u00e9rez pineda (vocal)<\/li>\n<li> Cano jimenez m. carmen (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Gomes Lamego Margarita Regina Nuestro trabajo proviene de una curiosidad respecto a las emociones en la obra [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,4100,1111],"tags":[6694,3808,6564,185230,185229,47929],"class_list":["post-88870","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-dibujo-y-grabado","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-alvaro-paricio-latasa","tag-antonio-perez-pineda","tag-antonio-ramos-notario","tag-cano-jimenez-m-carmen","tag-gomes-lamego-margarita-regina","tag-jesus-vinuelas-gonzalez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/88870","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=88870"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/88870\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=88870"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=88870"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=88870"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}