{"id":89048,"date":"2018-03-10T00:14:07","date_gmt":"2018-03-10T00:14:07","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/influjo-de-los-trabajos-anatomicos-de-ramon-sanvisens-i-marfull-en-su-obra-pictorica\/"},"modified":"2018-03-10T00:14:07","modified_gmt":"2018-03-10T00:14:07","slug":"influjo-de-los-trabajos-anatomicos-de-ramon-sanvisens-i-marfull-en-su-obra-pictorica","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/influjo-de-los-trabajos-anatomicos-de-ramon-sanvisens-i-marfull-en-su-obra-pictorica\/","title":{"rendered":"Influjo de los trabajos anat\u00f3micos de ram\u00f3n sanvisens i marfull en su obra pict\u00f3rica"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Gin\u00e9s Qui\u00f1onero Santiago <\/strong><\/h2>\n<p>Nuestra tesis se ocupa de los trabajos anat\u00f3mico-art\u00edstico que ram\u00f3n sanvisens realiz\u00f3 en el bienio 1964-65, y de la influencia que \u00e9stos han ejercido en su pintura.  a modo de introducci\u00f3n, hemos incluido una sucinta biograf\u00eda del sanvisens, y una breve historia de la anatom\u00eda art\u00edstica. Despu\u00e9s de los cual analizamos el pensamiento sanvisensiano sobre la materia, y efectuamos un inventario razonado de su obra anat\u00f3mica.  a continuaci\u00f3n, nos ocupamos de las repercusiones que dicha obra ha tenido en la pintura de sanvisens, explicitando previamente los criterios seguidos para su an\u00e1lisis; con el fin de, seguidamente, centrarnos en el estudio de la pintura sanvisensiana anterior a sus trabajos anat\u00f3micos de 1964-65, donde establecemos dos apartados: un primero, consistente en dos bloques (la pintura anterior a 1943-44 -a\u00f1os en los que sanvisens estudia anatom\u00eda en bellas artes; y la pintura del per\u00edodo 1944-64, donde hacemos un estudio del influjo de esta asignatura en su obra); y el segundo apartado, en el que se procede propiamente al an\u00e1lisis de las repercusiones de los trabajos anat\u00f3micos de sanvisens en su pintura contempor\u00e1nea y posterior al bienio 1964-65.  despu\u00e9s de lo cual, concluimos que dichos trabajos ejercieron una influencia importante la percepci\u00f3n de sanvisens, que se vio reflejada en su obra pict\u00f3rica, que gan\u00f3 en rotundidad y seguridad formales.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Influjo de los trabajos anat\u00f3micos de ram\u00f3n sanvisens i marfull en su obra pict\u00f3rica<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Influjo de los trabajos anat\u00f3micos de ram\u00f3n sanvisens i marfull en su obra pict\u00f3rica <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Gin\u00e9s Qui\u00f1onero Santiago <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 26\/02\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Ll\u00c1\u00a0cer Pellicer M. Teresa<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Francisco Crespo gimenez <\/li>\n<li>josep S\u00e1nchez carralero (vocal)<\/li>\n<li>Jos\u00e9 Vila sierra (vocal)<\/li>\n<li>jordi Gonz\u00e1lez ll\u00ed\u00a0cer (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Gin\u00e9s Qui\u00f1onero Santiago Nuestra tesis se ocupa de los trabajos anat\u00f3mico-art\u00edstico que ram\u00f3n sanvisens realiz\u00f3 en el [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[951,147,3806,1111],"tags":[20114,185509,185512,185511,32893,185510],"class_list":["post-89048","post","type-post","status-publish","format-standard","hentry","category-barcelona","category-ciencias-de-las-artes-y-las-letras","category-pintura","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-francisco-crespo-gimenez","tag-gines-quinonero-santiago","tag-jordi-gonzalez-lli-cer","tag-jose-vila-sierra","tag-josep-sanchez-carralero","tag-lla-cer-pellicer-m-teresa"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/89048","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=89048"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/89048\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=89048"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=89048"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=89048"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}