{"id":89583,"date":"2018-03-10T00:14:46","date_gmt":"2018-03-10T00:14:46","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/valores-tecnicos-y-esteticos-de-la-caligrafa%c2%ada-arabe-y-su-implicacion-en-las-tecnicas-de-estampacion\/"},"modified":"2018-03-10T00:14:46","modified_gmt":"2018-03-10T00:14:46","slug":"valores-tecnicos-y-esteticos-de-la-caligrafa%c2%ada-arabe-y-su-implicacion-en-las-tecnicas-de-estampacion","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/valores-tecnicos-y-esteticos-de-la-caligrafa%c2%ada-arabe-y-su-implicacion-en-las-tecnicas-de-estampacion\/","title":{"rendered":"Valores t\u00e9cnicos y est\u00e9ticos de la caligraf\u00eda\u00e1rabe y su implicaci\u00f3n en las t\u00e9cnicas de estampaci\u00f3n"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Mohamed Samir Assaleh Assaleh <\/strong><\/h2>\n<p>Tesis compuesta por dos partes fundamentales.  &#8211; 1\u00aa parte formada por cuatro cap\u00edtulos te\u00f3ricos con los contenidos siguientes.  1,- apuntes en torno a estudios y art\u00edsta \u00e1rabes as\u00ed como destacados art\u00edsta occidentales cuyas investigaciones pl\u00e1sticas est\u00e1n relacionadas con la tesis.  2,- apuntes sobre el arte caligr\u00e1fico \u00e1rabe.  3,- valores t\u00e9cnicos en la caligraf\u00eda \u00e1rabe.  4,- valores est\u00e9ticos del arte caligr\u00e1fico \u00e1rabe.  &#8211; 2\u00aa parte formada por dos cap\u00edtulos pr\u00e1cticos que desarrollan el trabajo experimental de la tesis:  5,- recursos t\u00e9cnicos basados en los medios electromec\u00e1nicos de generaci\u00f3n y manipulaci\u00f3n de la imagen.  6,- recusos pl\u00e1sticos en la conjunci\u00f3n del arte caligr\u00e1fico \u00e1rabe con las t\u00e9cnicas del grabado y estampaci\u00f3n y los medios de generaci\u00f3n y manipulaci\u00f3n de la imag\u00e9n.  &#8211; en s\u00edntesis el trabajo demuestra las implicaciones que existen entre el arte caligr\u00e1fico \u00e1rabe, las t\u00e9cnicas del grabado y los recursos expresivos que aportan los nuevos medios electromec\u00e1ncios de generaci\u00f3n y manipulaci\u00f3n de la imag\u00e9n.  &#8211; la investigaci\u00f3n establece un nexo de uni\u00f3n entre el pasado y el presente, entre el oriente y el occidente a trav\u00e9s de las t\u00e9cnicas y medios utilizados y los trabajos pl\u00e1sticos construidos.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Valores t\u00e9cnicos y est\u00e9ticos de la caligraf\u00eda\u00e1rabe y su implicaci\u00f3n en las t\u00e9cnicas de estampaci\u00f3n<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Valores t\u00e9cnicos y est\u00e9ticos de la caligraf\u00eda\u00e1rabe y su implicaci\u00f3n en las t\u00e9cnicas de estampaci\u00f3n <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Mohamed Samir Assaleh Assaleh <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 30\/03\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Manuel Manzorro P\u00e9rez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: carmen Jim\u00e9nez serrano <\/li>\n<li>Carlos P\u00e9rez-berm\u00fadez ingl\u00e9s (vocal)<\/li>\n<li>Fernando Evangelio rodr\u00edgeuz (vocal)<\/li>\n<li>pilar Garc\u00eda fern\u00e1ndez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mohamed Samir Assaleh Assaleh Tesis compuesta por dos partes fundamentales. &#8211; 1\u00aa parte formada por cuatro cap\u00edtulos [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,4100,10715,1111],"tags":[186321,28248,186322,11140,127483,11319],"class_list":["post-89583","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-dibujo-y-grabado","category-sevilla","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-carlos-perez-bermudez-ingles","tag-carmen-jimenez-serrano","tag-fernando-evangelio-rodrigeuz","tag-manuel-manzorro-perez","tag-mohamed-samir-assaleh-assaleh","tag-pilar-garcia-fernandez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/89583","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=89583"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/89583\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=89583"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=89583"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=89583"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}