{"id":89584,"date":"2018-03-10T00:14:46","date_gmt":"2018-03-10T00:14:46","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-expresion-plastica-de-louise-bourgeois-estrategias-feministas-para-una-praxis-terapeutica\/"},"modified":"2018-03-10T00:14:46","modified_gmt":"2018-03-10T00:14:46","slug":"la-expresion-plastica-de-louise-bourgeois-estrategias-feministas-para-una-praxis-terapeutica","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/filosofia\/la-expresion-plastica-de-louise-bourgeois-estrategias-feministas-para-una-praxis-terapeutica\/","title":{"rendered":"La expresi\u00f3n pl\u00e1stica de louise bourgeois. estrategias feministas para una praxis terap\u00e9utica"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Isabel Mar\u00eda Jimenez Arenas <\/strong><\/h2>\n<p>La historia personal de louise bourgeois, en torno al mundo del tapiz, refleja la incursi\u00f3n del feminismo en el arte. La proyecci\u00f3n de su obra en el contexto curativo demuestra que la intervenci\u00f3n feminista enriquece el proceso terap\u00e9utico.  durante el desarrollo pl\u00e1stico, supedita el uso del material a la funci\u00f3n terap\u00e9utica, de modo que las t\u00e9cnicas art\u00edsticas pasan a ser t\u00e9cnicas complementarias a las propias del psicoan\u00e1lisis.  bourgeois elige la dureza, color o textural del material, as\u00ed c\u00f3mo la t\u00e9cnica, de acuerdo con la necesidad de experimentaci\u00f3n. El grado de control del material, permite expresar, con m\u00e1s o menos libertad, los sentimientos que provocan los recuerdos. Por esta raz\u00f3n, bourgeois afirma que su cuerpo es su escultura, considerando el arte una realidad a trav\u00e9s de la cual consigue el efecto terp\u00e9utico, alej\u00e1ndose, progresivamente, del trauma.  las vivencias de borugeois durante su adolescencia, que estuvieron vinculadas a la tejedur\u00eda, dejaron huella en el proceso pl\u00e1stico de su madurez art\u00edstica. a trav\u00e9s del pasado, que bourgeois invoca durante le proceso pl\u00e1stico, revive sentimientos de amor y odio hacia sus padres. El tejido, la aguja, la ropa, cobran protagonismo en el recuerdo del taller de restauraci\u00f3n  de tapices que sus padres dirig\u00edan, liberando el rencor. As\u00ed pues, su historia personal posibilita la mediaci\u00f3n de la teor\u00eda feminsita en dicho proceso de liberaci\u00f3n del trauma, a trav\u00e9s de la subvenci\u00f3n del lenguaje para autodefinirse como mujer y recuperar la autoestima.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La expresi\u00f3n pl\u00e1stica de louise bourgeois. estrategias feministas para una praxis terap\u00e9utica<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La expresi\u00f3n pl\u00e1stica de louise bourgeois. estrategias feministas para una praxis terap\u00e9utica <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Isabel Mar\u00eda Jimenez Arenas <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Universitat de val\u00e9ncia (estudi general)<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 30\/03\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Carmen Senabre Llabata<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  De la calle de la cale roman <\/li>\n<li>Jos\u00e9 Saborit viguer (vocal)<\/li>\n<li>wenceslao Rambla zaragoza (vocal)<\/li>\n<li>Miguel Molina alarc\u00f3n (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Isabel Mar\u00eda Jimenez Arenas La historia personal de louise bourgeois, en torno al mundo del tapiz, refleja [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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