{"id":89692,"date":"2001-04-04T00:00:00","date_gmt":"2001-04-04T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/una-propuesta-escultorica-videoinstalacion-y-videoescultura-un-analisis-esctructural-de-la-video-instalacion-y-cuatro-ejercicios-experimentales\/"},"modified":"2001-04-04T00:00:00","modified_gmt":"2001-04-04T00:00:00","slug":"una-propuesta-escultorica-videoinstalacion-y-videoescultura-un-analisis-esctructural-de-la-video-instalacion-y-cuatro-ejercicios-experimentales","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/una-propuesta-escultorica-videoinstalacion-y-videoescultura-un-analisis-esctructural-de-la-video-instalacion-y-cuatro-ejercicios-experimentales\/","title":{"rendered":"Una propuesta escult\u00f3rica: videoinstalaci\u00f3n y videoescultura. un analisis esctructural de la video-instalacion y cuatro ejercicios experimentales."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Jos\u00e9 Vicente Ortiz Sausor <\/strong><\/h2>\n<p>Desde los a\u00f1os 60 asistimos a una progresiva y constante incorporaci\u00f3n de elementos audiovisuales en el arte contemporaneo.  concretamente se ha hecho un uso artistico de la tecnolog\u00eda video, en lo que se ha dado en llamar videoarte o video de creaci\u00f3n.  el objeto de este estudio se centra en analizar aquellas parcelas de videoarte relacionadas con la escultura y la arquitectura, en aquellas practicas artisticas definidas como videoinstalaci\u00f3n y videoescultura.  en primer lugar, observamos que el momento comun presente en los generos de videoarte es la imagen electronica, intimamente relacionada con lar artes ic\u00f3nicas. A partir de aqu\u00ed, el trabajo intenta establecer el resto de elementos que componen la videoinstalacion,los monitores o pantallas de proyeccion, los objetos que la componen, el espacio expositivo y, por ultimo, el espectador. Finalmente, y en base a estos 5 elementos, se desarrolla una tipolog\u00eda de la videoinstalaci\u00f3n y un metodo de aproximacion y analisis de la misma.  para terminar, se incorporan 4 ejercicios experimentales que suponen una reflexi\u00f3n practica sobre la videoinstalaci\u00f3n, acompa\u00f1ada de un anexo en video donde se ofrece un reportaje de los montajes y algunas de las im\u00e1genes electronicas que integran estos trabajos.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Una propuesta escult\u00f3rica: videoinstalaci\u00f3n y videoescultura. un analisis esctructural de la video-instalacion y cuatro ejercicios experimentales.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Una propuesta escult\u00f3rica: videoinstalaci\u00f3n y videoescultura. un analisis esctructural de la video-instalacion y cuatro ejercicios experimentales. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Jos\u00e9 Vicente Ortiz Sausor <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Valencia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 04\/04\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Emilio Jos\u00e9 Mart\u00ednez Arroyo<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Mar\u00eda  de los desamparados Carbonell tatay <\/li>\n<li>herminia Mart\u00ednez p\u00e9rez (vocal)<\/li>\n<li>Mar\u00eda  Jos\u00e9 Martinez de pison ramon (vocal)<\/li>\n<li> Crego moran Juan  Andr\u00e9s (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Jos\u00e9 Vicente Ortiz Sausor Desde los a\u00f1os 60 asistimos a una progresiva y constante incorporaci\u00f3n de elementos [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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