{"id":89854,"date":"2018-03-10T00:15:09","date_gmt":"2018-03-10T00:15:09","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/del-hablar-escribir-y-leer-en-el-ensayo-de-ortega\/"},"modified":"2018-03-10T00:15:09","modified_gmt":"2018-03-10T00:15:09","slug":"del-hablar-escribir-y-leer-en-el-ensayo-de-ortega","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/del-hablar-escribir-y-leer-en-el-ensayo-de-ortega\/","title":{"rendered":"Del hablar, escribir y leer en el ensayo de ortega"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Said Akif <\/strong><\/h2>\n<p>El hecho de hablar y escribir en ortega manifiesta una estrucurta de la temporalidad que constituye \u00abuna realidad\u00bb concreta hecha palabra, y que configura su obra; aunque la verdadera palabra para ortega es la hablada, o lo que es lo mismo, la comunicaci\u00f3n cogitativa. Su prop\u00f3sito era la involuci\u00f3n del \u00ablibro\u00bb hacia el di\u00e1logo.  el decir de ortega, escrito o hablado, es un arma de clarificaci\u00f3n de la vida en com\u00fan.  la palabra de ortega est\u00e1 definida a partir de su proyecto vital y ensay\u00edstico. no obstante, ha hecho del ensayo un juego conversacional, primariamente. el ortega lector ensayista define el ensayo como un viaje personal e intelectual a la caza de algo nuevo.Es el orden fortuito de este g\u00e9nero literario, determinado por la propia libertad del pensamiento.  ortega se define como espectador, un amigo de mirar, un lector meditabundo, y sobre todo sin prisa, de este modo, su ensayo se presenta bajo forma de perspectiva interpretativa, una lectura, que nos devuelve a la realidad secundaria en la que el texto es incorporado se hace carne y habla.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Del hablar, escribir y leer en el ensayo de ortega<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Del hablar, escribir y leer en el ensayo de ortega <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Said Akif <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 23\/04\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jaime Salas Ortueta<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: manuel Fernandez nieto <\/li>\n<li>Francisco L\u00f3pez fr\u00edas (vocal)<\/li>\n<li>Francisco Ruiz girela (vocal)<\/li>\n<li>carmen Paredes mart\u00edn (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Said Akif El hecho de hablar y escribir en ortega manifiesta una estrucurta de la temporalidad que [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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