{"id":89900,"date":"2018-03-10T00:15:09","date_gmt":"2018-03-10T00:15:09","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/las-representaciones-escenicas-en-ferrol1879-1915\/"},"modified":"2018-03-10T00:15:09","modified_gmt":"2018-03-10T00:15:09","slug":"las-representaciones-escenicas-en-ferrol1879-1915","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/las-representaciones-escenicas-en-ferrol1879-1915\/","title":{"rendered":"Las representaciones escenicas en ferrol:1879-1915"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Ocampo Vigo M. Eva <\/strong><\/h2>\n<p>Esta tesis se inserta en el programa de investigacion del instituto de semiotica literaria, teatral y nuevas tecnolog\u00edas dirigido por el dr. D.Jose romera castillo con el fin de reconstruir la historia del teatro representado en espa\u00f1a en los sigos xix y xx.  la investigacion recoge las representaciones teatrales y parateatrales que tuvieron lugar en la ciudad de ferrol entre 1879(inauguracion del teatro circo) y 1915 (clausura del teatro romea). Para una mejor comprension de la epoca estudiada se profundizo en distintos aspectos colaterales; asi, el trabajo comienza con un estudio historico literario de la ciudad de ferrol, en relacion con galicia y el resto de espa\u00f1a. Se ofrece un breve panorama de la impreta y la prensa ferrolana; de los teatros que existieron en la ciudad, profundizando en el estudio del teatro jofre. Se presenta una enumeracion de las obras representadas en los a\u00f1os citados, de sus autores y de las compa\u00f1ias tanto profesionales como aficionadas. Tambien estan recogidas en esta tesis las criticas que los comentaristas teatrales publicaban en la prensa de la epoca, asi como las actuaciones de la censura, las representaciones beneficas, de caridad o extraordinarias llevadas a escena, los precios, horarios de entrada, la costumbres del publico en el teatro y otros aspectos relacionados con la sociolog\u00eda del hecho teatral.  la investigacion concluye con  una valoracion de la produccion teatral y parateatral: obras y autores mas representados, tipo de compa\u00f1ias que visitaban los escenarios ferrolanos con mas frecuencia, generos demandados por el publico y usos, gustos y costumbres, que rodeaban este tipo de acontecimiento social.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Las representaciones escenicas en ferrol:1879-1915<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Las representaciones escenicas en ferrol:1879-1915 <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Ocampo Vigo M. Eva <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Nacional de educaci\u00f3n a distancia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 25\/04\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Nicolas Romera Castillo<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Perez priego Miguel angel <\/li>\n<li>carmen Becerra suarez (vocal)<\/li>\n<li>Jos\u00e9 Mar\u00eda Paz gago (vocal)<\/li>\n<li>fidel Lopez criado (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Ocampo Vigo M. Eva Esta tesis se inserta en el programa de investigacion del instituto de semiotica [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,104,713,222,17070,269,2232,2231,1110,1111],"tags":[37128,36871,18990,5039,186841,5712],"class_list":["post-89900","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-historia","category-historia-de-la-literatura","category-historias-especializadas","category-nacional-de-educacion-a-distancia","category-sociologia","category-sociologia-cultural","category-sociologia-de-la-literatura","category-teatro","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-carmen-becerra-suarez","tag-fidel-lopez-criado","tag-jose-maria-paz-gago","tag-jose-nicolas-romera-castillo","tag-ocampo-vigo-m-eva","tag-perez-priego-miguel-angel"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/89900","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=89900"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/89900\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=89900"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=89900"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=89900"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}