{"id":89957,"date":"2018-03-10T00:15:14","date_gmt":"2018-03-10T00:15:14","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/inversion-de-las-relaciones-cine-y-pintura-analisis-desde-los-generos-cinematograficos\/"},"modified":"2018-03-10T00:15:14","modified_gmt":"2018-03-10T00:15:14","slug":"inversion-de-las-relaciones-cine-y-pintura-analisis-desde-los-generos-cinematograficos","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/inversion-de-las-relaciones-cine-y-pintura-analisis-desde-los-generos-cinematograficos\/","title":{"rendered":"Inversi\u00f3n de las relaciones cine y pintura. an\u00e1lisis desde los g\u00e9neros cinematogr\u00e1ficos"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Antonio Garc\u00eda L\u00f3pez <\/strong><\/h2>\n<p>Esta tesis doctoral pretende aportar a los estudios ya realizados del cine en conexi\u00f3ncon otras artes (m\u00fascia, arquitectura,etc.) Su relaci\u00f3n con la pintura. Para ello se ha elaborado una estructura en tres partes.  en la parte i: evoluci\u00f3n de las realciones cine y pintura, se ha planteado un an\u00e1lisis de la situaci\u00f3n desde el origen del cinemat\u00f3grafo en 1895.  en la parte ii: influencias a nivel compositivo y estructural, se han abordado los aspectos formales del cine que han influido directamente en la pintura, sobre todo en la primera mitad del s. Xx. Entre ellos la idea de movimiento, el v\u00ednculo entre el montaje cinematogr\u00e1fico y las corrientes art\u00edsticas de vanguardia, y por \u00faltimo la progesiva asimilaci\u00f3n por parte de artistas del voyeurismo cinematogr\u00e1fico.  finalmente en la parte iii: gen\u00e9ros cinematogr\u00e1ficos incorporados a la pl\u00e1stica actual, se analizan caracter\u00edsticas propias de g\u00e9neros como el cine negro, melodrama, ciencia ficci\u00f3n, terror u otros g\u00e9neros, en obras pl\u00e1sticas de los \u00faltimos cincuenta a\u00f1os.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Inversi\u00f3n de las relaciones cine y pintura. an\u00e1lisis desde los g\u00e9neros cinematogr\u00e1ficos<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Inversi\u00f3n de las relaciones cine y pintura. an\u00e1lisis desde los g\u00e9neros cinematogr\u00e1ficos <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Antonio Garc\u00eda L\u00f3pez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Valencia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 27\/04\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Constancio Collado Jare\u00f1o<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: rafael S\u00e1nchez-carralero l\u00f3pez <\/li>\n<li> Prada vega Jos\u00e9 Manuel (vocal)<\/li>\n<li>adr\u00edan Esp\u00ed vald\u00e9s (vocal)<\/li>\n<li>Rafael Contreras juesas (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Antonio Garc\u00eda L\u00f3pez Esta tesis doctoral pretende aportar a los estudios ya realizados del cine en conexi\u00f3ncon [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,5547,3806,16820,1111],"tags":[17065,186922,67668,22744,88955,43251],"class_list":["post-89957","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-cinematografia","category-pintura","category-politecnica-de-valencia","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-adrian-espi-valdes","tag-antonio-garcia-lopez","tag-constancio-collado-jareno","tag-prada-vega-jose-manuel","tag-rafael-contreras-juesas","tag-rafael-sanchez-carralero-lopez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/89957","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=89957"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/89957\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=89957"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=89957"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=89957"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}