{"id":89978,"date":"2001-02-05T00:00:00","date_gmt":"2001-02-05T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/nietzsche-y-la-musica\/"},"modified":"2001-02-05T00:00:00","modified_gmt":"2001-02-05T00:00:00","slug":"nietzsche-y-la-musica","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/filosofia\/nietzsche-y-la-musica\/","title":{"rendered":"Nietzsche y la m\u00fasica"},"content":{"rendered":"<h2>Tesis doctoral de <strong> David Pic\u00f3 Sentelles <\/strong><\/h2>\n<p>Es un estudio del pensamiento nietzscheano articulado a trav\u00e9s del concepto de m\u00fasica, acotado principalmente al joven nietzsche, pero teniendo en cuenta que, expl\u00edcita o impl\u00edcitamente, la perspectiva musical recorre todo su pensamiento.  este estudio, por tanto, no aborda la m\u00fasica en nietzsche desde el punto de vista biogr\u00e1fico, o restringido a la relaci\u00f3n entre nietzsche y wagner, ni es una rese\u00f1a del nietzsche compositor. El objetivo es reseguir el concepto de m\u00fasica en su filosof\u00eda, saber qu\u00e9 est\u00e1 diciendo nietzsche cuando se refiere a aspectos musicales, desplegar la idea nietzscheana de m\u00fasica desde sus m\u00faltiples vertientes, descubrir la singularidad de su discurso desde la perspectiva de la m\u00fasica, en definitiva, mostrar que la m\u00fasica es algo as\u00ed como un bajo continuo, inadvertido pero constante, que determina ciertos aspectos del pensamiento de nietzsche.  para ello, la tesis se ha desarrollado sobre la estructura basada en la cadena ontol\u00f3gica verdad-m\u00fasica-lenguaje. Una estructura como una columna vertebral, que soportara el encuentro con el concepto de m\u00fasica desde terrenos y perspectivas distintas. En el primer apartado, dedicado a la verdad y la m\u00fasica, \u00e9sta es entendida como mediadora entre el \u00e1mbito de la verdad radical, lo indecible e irrepresentable y la intuici\u00f3n humana. La m\u00fasica es s\u00edmbolo de dionisos (verdad radical) y es a trav\u00e9s del s\u00edmbolo que sabemos algo de esa verdad dionis\u00edaca. Si la m\u00fasica es su s\u00edmbolo, eso tambi\u00e9n determinar\u00e1 la actitud para acceder a ella.  en el segundo apartado, dedicado a la m\u00fasica y el lenguaje, la m\u00fasica hace de mediadora entre la verdad radical y el \u00e1mbito de lo representable, medible, accesible al conocimiento humano. Es el flujo musical del lenguaje lo que lleva al discurso ling\u00ed\u00bc\u00edstico m\u00e1s all\u00e1 de la mera l\u00f3gica gramatical. hay que desmentir el lenguaje para empezar a decir lo que no est\u00e1 previsto, y para ello hay que \u00abmusicalizar\u00bb el le<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Nietzsche y la m\u00fasica<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Nietzsche y la m\u00fasica <\/li>\n<li><strong>Autor:<\/strong>\u00a0 David Pic\u00f3 Sentelles <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 02\/05\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Miguel Morey Farr\u00e9<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: jacobo Mu\u00f1oz veiga <\/li>\n<li>Juan  Luis Vermal beretta (vocal)<\/li>\n<li>julio Quesada mart\u00edn (vocal)<\/li>\n<li>xos\u00e9 Avi\u00f1oa p\u00e9rez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de David Pic\u00f3 Sentelles Es un estudio del pensamiento nietzscheano articulado a trav\u00e9s del concepto de m\u00fasica, acotado [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[960,951,10452,165,5342,6428],"tags":[186955,5252,19631,31535,8506,20232],"class_list":["post-89978","post","type-post","status-publish","format-standard","hentry","category-antropologia-filosofica","category-barcelona","category-estetica","category-filosofia","category-filosofia-general","category-metafisica-y-ontologia","tag-david-pico-sentelles","tag-jacobo-munoz-veiga","tag-juan-luis-vermal-beretta","tag-julio-quesada-martin","tag-miguel-morey-farre","tag-xose-avinoa-perez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/89978","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=89978"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/89978\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=89978"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=89978"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=89978"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}