{"id":9003,"date":"1995-01-01T00:00:00","date_gmt":"1995-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1995\/01\/01\/la-forma-cupula-en-la-arquitectura-y-en-la-naturaleza-valores-funcionales-y-simbolicos-como-motivo-de-una-reflexion-plastica-personal\/"},"modified":"1995-01-01T00:00:00","modified_gmt":"1995-01-01T00:00:00","slug":"la-forma-cupula-en-la-arquitectura-y-en-la-naturaleza-valores-funcionales-y-simbolicos-como-motivo-de-una-reflexion-plastica-personal","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-forma-cupula-en-la-arquitectura-y-en-la-naturaleza-valores-funcionales-y-simbolicos-como-motivo-de-una-reflexion-plastica-personal\/","title":{"rendered":"La forma cupula en la arquitectura y en la naturaleza: valores funcionales y simbolicos como motivo de una reflexion plastica personal."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Bosch Navarro M. Dolores <\/strong><\/h2>\n<p>La tesis plantea una aproximacion a los valores formales y simbolicos que encierra la forma cupula en el lenguaje arquitectonico y en las estructuras de la naturaleza.El enriquecimiento que aporta este ejercicio de comprension permite una segunda parte en la que la creacion plastica se ve nutrida por una vivencia personal de estos valores.La relacion entre espacio exterior e interior, la riqueza semantica de conceptos como lugar, topos, cobijo, habitabilidad se entrelazan armonicamente con las analogias organicas desembocando en una lectura sugerente y original de un sentimiento espacio-temporal como punto de partida de la creacion plastica.Consigue una aportacion novedosa a la hora de unir rigor intelectual y creatividad artistica, teoria y practica, intelectualidad e intuicion creadora.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La forma cupula en la arquitectura y en la naturaleza: valores funcionales y simbolicos como motivo de una reflexion plastica personal.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La forma cupula en la arquitectura y en la naturaleza: valores funcionales y simbolicos como motivo de una reflexion plastica personal. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Bosch Navarro M. Dolores <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Valencia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1995<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Ramon Gil Alcaide<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Gimeno Baquero Victor Manuel <\/li>\n<li> Navarro Lizandra Jos\u00e9 Luis (vocal)<\/li>\n<li>Carlos Plasencia Climent (vocal)<\/li>\n<li>Alfonso Perez Plaza (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Bosch Navarro M. Dolores La tesis plantea una aproximacion a los valores formales y simbolicos que encierra [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[4509,147,4100,12564,16820,1111],"tags":[31220,31217,31219,17045,17047,31218],"class_list":["post-9003","post","type-post","status-publish","format-standard","hentry","category-arquitectura","category-ciencias-de-las-artes-y-las-letras","category-dibujo-y-grabado","category-diseno-arquitectonico","category-politecnica-de-valencia","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-alfonso-perez-plaza","tag-bosch-navarro-m-dolores","tag-carlos-plasencia-climent","tag-gimeno-baquero-victor-manuel","tag-navarro-lizandra-jose-luis","tag-ramon-gil-alcaide"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/9003","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=9003"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/9003\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=9003"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=9003"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=9003"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}