{"id":90125,"date":"2001-11-05T00:00:00","date_gmt":"2001-11-05T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-sueno-alcanzado-por-el-sueno-fotografa%c2%ada-en-pintura-y-pintura-en-fotografa%c2%ada\/"},"modified":"2001-11-05T00:00:00","modified_gmt":"2001-11-05T00:00:00","slug":"el-sueno-alcanzado-por-el-sueno-fotografa%c2%ada-en-pintura-y-pintura-en-fotografa%c2%ada","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/el-sueno-alcanzado-por-el-sueno-fotografa%c2%ada-en-pintura-y-pintura-en-fotografa%c2%ada\/","title":{"rendered":"El sue\u00f1o alcanzado por el sue\u00f1o. fotograf\u00edaen pintura y pintura en fotograf\u00eda"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Carlos Mart\u00ednez Barrag\u00e1n <\/strong><\/h2>\n<p>\u00abel sue\u00f1o alcanzado por el sue\u00f1o. Fotograf\u00eda en pintura y pintura en fotograf\u00eda\u00bb. Es una investigaci\u00f3n sobre las diferencias y similitudes existentes entre la fotograf\u00eda y la pintura, especialmente cuando ambas se en cuntran conformando un mismo objeto. Para abordar estas diferencias y similitudes se ha hecho una revisi\u00f3n hsit\u00f3rica de los objetos mixtos,  realizados con fotograf\u00eda y pintura, que desde la invenci\u00f3n de la fotograf\u00eda han producido diversos artistas europeos y americanos. La primera parte de la tesis se ocupa de esta revisi\u00f3n hist\u00f3rica.  con los datos obtenidos se realiza la segunda parte en la que se hace un an\u00e1lisis sobre la naturaleza del registro fotogr\u00e1fico y pict\u00f3rico que consideramos el asunto central de la investigaci\u00f3n. Sobre la diferenciaci\u00f3n de este registro, lamamdo \u00edndez, se realiza una cr\u00edtica de ejemplos pl\u00e1sticos concretos que concluye la tesis.  esta investigaci\u00f3n pone \u00e9nfasis sobre las cualidades indici\u00e1tiacas del signo visual que hemos considerado importantes como diferenciadoras entre lo manueal y lo mec\u00e1ncio, registros que com\u00fanmente se confrontan en la pr\u00e1ctica art\u00edstica contempor\u00e1nea, especialmente despu\u00e9s de la invenci\u00f3n de la fotograf\u00eda. Creemos que s\u00f3lo siendo conscientes de las diferencias entre lo manual y lo mec\u00e1nico podemos afrontar los nuevos objetos art\u00edsticos producidos con los medios tecnol\u00f3gicos que la sociedad informatizada produce cada vez con mayor presencia.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El sue\u00f1o alcanzado por el sue\u00f1o. fotograf\u00edaen pintura y pintura en fotograf\u00eda<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El sue\u00f1o alcanzado por el sue\u00f1o. fotograf\u00edaen pintura y pintura en fotograf\u00eda<\/li>\n<li><strong>Autor:<\/strong>\u00a0 Carlos Mart\u00ednez Barrag\u00e1n <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Valencia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 11\/05\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Miguel Molina Alarac\u00f3n<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: rom\u00ed\u00a0 De la calle de la calle <\/li>\n<li>Antonio Alcaraz mira (vocal)<\/li>\n<li>eduardo Ib\u00e1\u00f1ez magraner (vocal)<\/li>\n<li> Alcal\u00e1 melaldo Jos\u00e9 ram\u00f3n (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Carlos Mart\u00ednez Barrag\u00e1n \u00abel sue\u00f1o alcanzado por el sue\u00f1o. Fotograf\u00eda en pintura y pintura en fotograf\u00eda\u00bb. Es [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,5270,3806,16820,1111],"tags":[187178,84218,167869,33027,187177,16851],"class_list":["post-90125","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-fotografia","category-pintura","category-politecnica-de-valencia","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-alcala-melaldo-jose-ramon","tag-antonio-alcaraz-mira","tag-carlos-Martinez-barragan","tag-eduardo-ibanez-magraner","tag-miguel-molina-alaracon","tag-romi-de-la-calle-de-la-calle"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/90125","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=90125"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/90125\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=90125"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=90125"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=90125"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}