{"id":90486,"date":"2008-11-12T00:00:00","date_gmt":"2008-11-12T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/meta-auto-bio-grafia-en-benjamin-jarnes\/"},"modified":"2008-11-12T00:00:00","modified_gmt":"2008-11-12T00:00:00","slug":"meta-auto-bio-grafia-en-benjamin-jarnes","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/analisis-literario\/meta-auto-bio-grafia-en-benjamin-jarnes\/","title":{"rendered":"Meta-auto-bio-grafia en benjamin jarnes"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Elvira Luengo Gascon <\/strong><\/h2>\n<p>Benjam\u00edn jarn\u00e9s, perteneciente a las vanguardias hist\u00f3ricas, hoy es considerado cl\u00e1sico moderno. La escritura de ficci\u00f3n autobiogr\u00e1fica abarca en el autor, una est\u00e9tica literaria integral, de experimentaci\u00f3n metafictiva a trav\u00e9s del desarrollo te\u00f3rico y pr\u00e1ctico de una amplia variedad de g\u00e9neros como la novela, el ensayo de teor\u00eda y cr\u00edtica literaria, la biografia, el cuento y el aforismo.`,Se suman, adem\u00e1s, los g\u00e9neros \u00edntimos: la ep\u00edstola, el diario o la confesi\u00f3n, que colaboran en la demostraci\u00f3n de la escritura autobiogr\u00e1fica. Igualmente ocurre en los g\u00e9neros po\u00e9ticos, en los que se cumple aquello que afecta a toda su obra: la autoficci\u00f3n junto al desarrollo de teor\u00eda y pr\u00e1ctica en ejecuci\u00f3n como raz\u00f3n vital. el valor prioritario que el fragmento tiene en la creaci\u00f3n jamesiana hace de nuestro autor un precursor de los escritores de la posmodernidad (barthes, maurice blanchot). En jarn\u00e9s, la vida es texto que se escribe como pasi\u00f3n est\u00e9tica. Para que haya autobiografia, seg\u00fan destacaba lejeune, (1998), es necesario que coincidan la identidad del autor, la del narrador y la del personaje. cuando existe esa identidad de nombre, la identificaci\u00f3n es el fruto de un pacto autobiogr\u00e1fico, o contrato de lectura como se\u00f1ala jos\u00e9 mar\u00eda pozuelo. Y en la escritura de autoficci\u00f3n jamesiana existe la voluntad de volverse a construir, de recrearse. el t\u00e9rmino auto-tanato-meta-bio-grafia (aplicado ya por los cr\u00edticos de derrida) se compone de cinco partes y todas podr\u00edan cambiar de lugar con libertad. En esta frase fragmentada, en cada pareja que creamos, no falta la graph\u00e9, la escritura del yo, de la vida, de la muerte, o del propio c\u00f3digo al que nos enfrentamos, cara a cara. Constituye, quiz\u00e1, esta sucesi\u00f3n de signos, no s\u00e9 si un bello aforismo, pero s\u00ed un compendio de brevedad, s\u00edntesis, fragmentaci\u00f3n y sentido, que quiere abarcar esa totalidad jarnesiana<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Meta-auto-bio-grafia en benjamin jarnes<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Meta-auto-bio-grafia en benjamin jarnes <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Elvira Luengo Gascon <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Zaragoza<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 11\/12\/2008<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Angel Blesa Lalinde<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Mar\u00eda  victoria Sotomayor saez <\/li>\n<li>rosa Mar\u00eda Tabernero sala (vocal)<\/li>\n<li>Miguel angel Muro munilla (vocal)<\/li>\n<li>alfredo Salda\u00f1a sagredo (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Elvira Luengo Gascon Benjam\u00edn jarn\u00e9s, perteneciente a las vanguardias hist\u00f3ricas, hoy es considerado cl\u00e1sico moderno. La escritura [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,13610],"tags":[29000,187748,29001,187749,38372,38370],"class_list":["post-90486","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-zaragoza","tag-alfredo-saldana-sagredo","tag-elvira-luengo-gascon","tag-jose-angel-blesa-lalinde","tag-maria-victoria-sotomayor-saez","tag-miguel-angel-muro-munilla","tag-rosa-maria-tabernero-sala"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/90486","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=90486"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/90486\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=90486"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=90486"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=90486"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}