{"id":90702,"date":"2018-03-11T10:09:18","date_gmt":"2018-03-11T10:09:18","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-cuerpo-ha%c2%adbrido-en-la-danza-transformaciones-en-el-lenguaje-coreografico-a-partir-de-las-tecnologa%c2%adas-digitales-analisis-teorico-y-propuestas-experimentales\/"},"modified":"2018-03-11T10:09:18","modified_gmt":"2018-03-11T10:09:18","slug":"el-cuerpo-ha%c2%adbrido-en-la-danza-transformaciones-en-el-lenguaje-coreografico-a-partir-de-las-tecnologa%c2%adas-digitales-analisis-teorico-y-propuestas-experimentales","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/escultura\/el-cuerpo-ha%c2%adbrido-en-la-danza-transformaciones-en-el-lenguaje-coreografico-a-partir-de-las-tecnologa%c2%adas-digitales-analisis-teorico-y-propuestas-experimentales\/","title":{"rendered":"El cuerpo h\u00edbrido en la danza: transformaciones en el lenguaje coreogr\u00e1fico a partir de las tecnolog\u00edas digitales. an\u00e1lisis te\u00f3rico y propuestas experimentales."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Ludmila Cecilina Martinez Pimentel <\/strong><\/h2>\n<p>El objetivo principal de esta tesis ha sido desarrollar un an\u00e1lisis de las recientes transformaciones metodol\u00f3gicas y conceptuales en la creaci\u00f3n y producci\u00f3n en la danza contempor\u00e1nea, que son debidas a la introducci\u00f3n de las nuevas tecnolog\u00edas digitales y su relaci\u00f3n con el contexto art\u00edstico contempor\u00e1neo.  los artistas, cada vez m\u00e1s, van percibiendo el paradigma cibern\u00e9tico que ha estado configurando la sociedad contempor\u00e1nea, en la cual las transformaciones tecnol\u00f3gicas que se reflejan en las artes, evocan y revelan nuevos modos de trabajo y producci\u00f3n, resultado de la conjunci\u00f3n entre arte y tecnolog\u00edas.  el uso de softwares para crear coreograf\u00edas, para promover la comunicaci\u00f3n y la creaci\u00f3n colaborativa a trav\u00e9s de redes de trabajo, y para promover conceptuaciones h\u00edbridas del lenguaje de la danza y de los sistemas interactivos, son algunos ejemplos que ayudan a ilustrar las maneras por las cuales esos nuevos procesos tecnol\u00f3gicos est\u00e1n siendo empleados por los core\u00f3grafos contempor\u00e1neos, incluyendo a la autora, que ampl\u00edan los conceptos anteriores de espacio, tiempo y cuerpo en la danza.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El cuerpo h\u00edbrido en la danza: transformaciones en el lenguaje coreogr\u00e1fico a partir de las tecnolog\u00edas digitales. an\u00e1lisis te\u00f3rico y propuestas experimentales.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El cuerpo h\u00edbrido en la danza: transformaciones en el lenguaje coreogr\u00e1fico a partir de las tecnolog\u00edas digitales. an\u00e1lisis te\u00f3rico y propuestas experimentales. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Ludmila Cecilina Martinez Pimentel <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Valencia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 15\/12\/2008<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Emilio Jos\u00e9 Mart\u00ednez Arroyo<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Mar\u00eda  de los desamparados Carbonell tatay <\/li>\n<li>pedro Ortu\u00f1o mengual (vocal)<\/li>\n<li>M\u00aa teresa Blanch malet (vocal)<\/li>\n<li>julia Galan serrano (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Ludmila Cecilina Martinez Pimentel El objetivo principal de esta tesis ha sido desarrollar un an\u00e1lisis de las [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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