{"id":90778,"date":"2018-03-11T10:09:23","date_gmt":"2018-03-11T10:09:23","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-estetica-cotidiana-de-los-chanoyu-no-dogu-y-su-persistencia-abstracta-en-los-yakimono-occidentales-comtemporaneos\/"},"modified":"2018-03-11T10:09:23","modified_gmt":"2018-03-11T10:09:23","slug":"la-estetica-cotidiana-de-los-chanoyu-no-dogu-y-su-persistencia-abstracta-en-los-yakimono-occidentales-comtemporaneos","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-estetica-cotidiana-de-los-chanoyu-no-dogu-y-su-persistencia-abstracta-en-los-yakimono-occidentales-comtemporaneos\/","title":{"rendered":"La est\u00e9tica cotidiana de los chanoyu no dogu y su persistencia abstracta en los yakimono occidentales comtempor\u00e1neos."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Matilde Rosa Arias Estevez <\/strong><\/h2>\n<p>Null la pr\u00e1ctica del chanoyu, literalmente \u00abagua caliente para el t\u00e9\u00bb, no solamente se centra en la preparaci\u00f3n y servicio de la bebida del t\u00e9, sino que en esencia es una experiencia de transformaci\u00f3n de una actividad cotidiana en un arte de contemplaci\u00f3n  y b\u00fasqueda espiritual. Se trata de una performance basada en las relaciones de humildad y apreciaci\u00f3n que se establecen entre el anfitri\u00f3n y el invitado. esta destreza, desde su origen en el per\u00edodo momoyama (1568 &#8211; 1600) hasta la actualidad, ha suf rido constantes cambios debido a las conexiones pol\u00edticas y sociales que a lo largo del tiempo han fluctuado en torno al arte del t\u00e9. Durante dicho per\u00edodo de tiempo se hace evidente que las modificaciones est\u00e9ticas de los chad\u00ed\u00b4gu se relacionan con e l gusto e inter\u00e9s de las clases dirigentes y de los chajin, que  influenciados por la est\u00e9tica del pensamiento zen, llegaron a considerar las cer\u00e1micas cotidianas de belleza serena, como recipientes apropiados en los que se encierra toda la esencia d el wabi-cha, y al elevarlos al concepto de arte provocaron una revoluci\u00f3n est\u00e9tica que encamin\u00f3 la cer\u00e1mica japonesa tradicional hacia la modernidad. la influencia de la nueva est\u00e9tica de las piezas cer\u00e1micas sin refinar, con formas irregulares y mat eriales humildes se extendi\u00f3 r\u00e1pidamente sobre las producciones occidentales. Brotaron nuevas posibilidades expresivas del material cer\u00e1mico, nuevos vidriados, nuevos m\u00e9todos de aplicaci\u00f3n de nuevas formas, que se manifestaron en la independencia cre ativa de lo sencillo, lo incompleto y lo espont\u00e1neo, dejando as\u00ed, que el material hable por s\u00ed mismo. Como consecuencia la descontextualizaci\u00f3n del objeto cer\u00e1mico, al convertirlo en un espacio de expresi\u00f3n pl\u00e1stica cuya nueva valoraci\u00f3n le da al obj eto cotidiano el reconocimiento de obra de arte.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La est\u00e9tica cotidiana de los chanoyu no dogu y su persistencia abstracta en los yakimono occidentales comtempor\u00e1neos.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La est\u00e9tica cotidiana de los chanoyu no dogu y su persistencia abstracta en los yakimono occidentales comtempor\u00e1neos. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Matilde Rosa Arias Estevez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 17\/12\/2008<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>ormaechea Quero Garc\u00eda<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: yayoi Kawamura <\/li>\n<li>  (vocal)<\/li>\n<li>  (vocal)<\/li>\n<li>  (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Matilde Rosa Arias Estevez Null la pr\u00e1ctica del chanoyu, literalmente \u00abagua caliente para el t\u00e9\u00bb, no solamente [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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