{"id":90801,"date":"2018-03-11T10:09:23","date_gmt":"2018-03-11T10:09:23","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-configuracion-de-las-tragedias-de-francisco-de-rojas-zorrilla\/"},"modified":"2018-03-11T10:09:23","modified_gmt":"2018-03-11T10:09:23","slug":"la-configuracion-de-las-tragedias-de-francisco-de-rojas-zorrilla","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/teatro\/la-configuracion-de-las-tragedias-de-francisco-de-rojas-zorrilla\/","title":{"rendered":"La configuraci\u00f3n de las tragedias de francisco de rojas zorrilla"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Gema G\u00f3mez Rubio <\/strong><\/h2>\n<p>Esta tesis doctoral analiza los mecanismos y estrategias constructivos que sustentan la dramaturgia tr\u00e1gica de francisco de rojas zorrilla: los pretextos que le proporcionan la materia argumental, las f\u00f3rmulas y convenciones propias de su contexto dram\u00e1tico as\u00ed como los esquemas estructurales y t\u00e9cnicas que individualizan sus obras frente al resto de la producci\u00f3n barroca. No obstante, el an\u00e1lisis de la dimensi\u00f3n formal de lo tr\u00e1gico se lleva a cabo sin perder de vista el contexto de producci\u00f3n y recepci\u00f3n que determina la creaci\u00f3n dram\u00e1tica. el estudio se compone de cinco apartados de diferente extensi\u00f3n (antecedentes; fundamentos de la inventio, la configuraci\u00f3n formal del universo tr\u00e1gico, coordenadas espacio-temporales y conclusiones) en los que se analizan las claves constructivas de los principales dramas tr\u00e1gicos del toledano: no hay ser padre siendo rey, casarse por vengarse, persiles y sigismunda, los celos de rodamonte, la traici\u00f3n busca el castigo, progne y filomena, los encantos de medea, el m\u00e1s impropio verdugo, los \u00e1spides de cleopatra , morir pensando matar, el ca\u00edn de catalu\u00f1a o cada cual lo que le toca. asimismo, se analizan los ingredientes (materiales, convenciones, temas, conflictos) que participan en la composici\u00f3n dram\u00e1tica de lo tr\u00e1gico; se propone una clasificaci\u00f3n de la producci\u00f3n tr\u00e1gica de rojas en sus variantes significativas y se profundiza en los diversos esquemas estructurales en busca de episodios y resortes caracter\u00edsticos de la acci\u00f3n tr\u00e1gica. \tcon ello se concluye que el modelo tr\u00e1gico de rojas zorrilla a\u00fana las convenciones caracter\u00edsticas de la comedia nueva con otros elementos codificados tradicionalmente como tr\u00e1gicos de diversa procedencia. Entre las caracter\u00edsticas de sus piezas tr\u00e1gicas figuran la peculiar disposici\u00f3n de la intriga, la acumulaci\u00f3n de resortes o la yuxtaposici\u00f3n de t\u00e9cnicas y convenciones heredadas de la comedia lopesca; usos determinados por la necesidad de contentar y sorprender a un auditorio habituado al espect\u00e1culo teatral.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La configuraci\u00f3n de las tragedias de francisco de rojas zorrilla<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La configuraci\u00f3n de las tragedias de francisco de rojas zorrilla <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Gema G\u00f3mez Rubio <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Castilla-la mancha<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 17\/12\/2008<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Felipe Blas Pedraza Jimenez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: rosa Navarro dur\u00e1n <\/li>\n<li>Francisco Dom\u00ednguez matito (vocal)<\/li>\n<li>Mar\u00eda  teresa Cattaneo (vocal)<\/li>\n<li>german Vega garcia luengos (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Gema G\u00f3mez Rubio Esta tesis doctoral analiza los mecanismos y estrategias constructivos que sustentan la dramaturgia tr\u00e1gica [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[18451,1867,1110],"tags":[1366,62689,188308,8785,188309,1362],"class_list":["post-90801","post","type-post","status-publish","format-standard","hentry","category-castilla-la-mancha","category-historia-de-la-literatura-espanola","category-teatro","tag-felipe-blas-pedraza-jimenez","tag-francisco-dominguez-matito","tag-gema-gomez-rubio","tag-german-vega-garcia-luengos","tag-maria-teresa-cattaneo","tag-rosa-navarro-duran"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/90801","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=90801"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/90801\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=90801"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=90801"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=90801"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}