{"id":90803,"date":"2018-03-11T10:09:23","date_gmt":"2018-03-11T10:09:23","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/paracinema-del-material-fa%c2%adlmico-a-la-desmaterializacion-del-cine\/"},"modified":"2018-03-11T10:09:23","modified_gmt":"2018-03-11T10:09:23","slug":"paracinema-del-material-fa%c2%adlmico-a-la-desmaterializacion-del-cine","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/teoria-analisis-y-critica-de-las-bellas-artes\/paracinema-del-material-fa%c2%adlmico-a-la-desmaterializacion-del-cine\/","title":{"rendered":"Paracinema: del material f\u00edlmico a la desmaterializaci\u00f3n del cine"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Esperanza Collado S\u00e1nchez <\/strong><\/h2>\n<p>\u00abparacinema: del material f\u00edlmico a la desmaterializaci\u00f3n del cine\u00bb es un an\u00e1lisis cr\u00edtico en torno a las transformaciones que ha experimentado la materialidad del cine experimental o vanguardista. Tomando como foco principal la fisicidad del medio, se ha construido una genealog\u00eda alternativa a la historia cl\u00e1sica del cine experimental que examina en detalle diferentes grados y formas de su destrucci\u00f3n, as\u00ed como su integraci\u00f3n en el resto de las artes pl\u00e1sticas y subsiguiente disoluci\u00f3n en la praxis vital del hombre.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Paracinema: del material f\u00edlmico a la desmaterializaci\u00f3n del cine<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Paracinema: del material f\u00edlmico a la desmaterializaci\u00f3n del cine <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Esperanza Collado S\u00e1nchez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Castilla-la mancha<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 17\/12\/2008<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Armando Montesinos Blanco<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jos\u00e9 Mar\u00eda Lillo perez <\/li>\n<li>Mar\u00eda  Jos\u00e9 Martinez de pison ramon (vocal)<\/li>\n<li>Juan  Antonio Su\u00e1rez s\u00e1nchez (vocal)<\/li>\n<li>Luis eloy Puig mestres (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Esperanza Collado S\u00e1nchez \u00abparacinema: del material f\u00edlmico a la desmaterializaci\u00f3n del cine\u00bb es un an\u00e1lisis cr\u00edtico en [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[18451,1111],"tags":[80587,188312,9440,188313,126798,44576],"class_list":["post-90803","post","type-post","status-publish","format-standard","hentry","category-castilla-la-mancha","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-armando-montesinos-blanco","tag-esperanza-collado-sanchez","tag-jose-maria-lillo-perez","tag-juan-antonio-suarez-sanchez","tag-luis-eloy-puig-mestres","tag-maria-jose-Martinez-de-pison-ramon"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/90803","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=90803"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/90803\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=90803"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=90803"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=90803"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}