{"id":91013,"date":"2018-03-11T10:09:40","date_gmt":"2018-03-11T10:09:40","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/miguel-hernandez-y-el-arte-nuevo\/"},"modified":"2018-03-11T10:09:40","modified_gmt":"2018-03-11T10:09:40","slug":"miguel-hernandez-y-el-arte-nuevo","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/analisis-literario\/miguel-hernandez-y-el-arte-nuevo\/","title":{"rendered":"Miguel hern\u00e1ndez y el arte nuevo"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Mar\u00eda Inmaculada G\u00f3mez Vera <\/strong><\/h2>\n<p>Miguel hern\u00e1ndez y el arte nuevo miguel hern\u00e1ndez irrumpe en el mundo conducido por la cultura libresca y el fracaso a que se ve abocada su \u00f3pera prima le obliga a replantearse su visi\u00f3n est\u00e9tica en el seno de los nuevos artistas pl\u00e1sticos (escuela de vallecas). Esa reinvenci\u00f3n art\u00edstica la lleva a cabo por medio de tres procedimientos constructivos: el de formalizaci\u00f3n o proyecci\u00f3n del yo en el enunciado a trav\u00e9s de presencias aladas, el de modalizaci\u00f3n o caracterizaci\u00f3n del discurso en el que el fen\u00f3meno musical juega un papel relevante y el  de simbolizaci\u00f3n, donde sujeto y objeto del enunciado concurren en el plano po\u00e9tico dando lugar al arquetipo de la construcci\u00f3n art\u00edstica o mito de la creaci\u00f3n. pero su preocupaci\u00f3n por los procedimientos constructivos no es ninguna novedad en la producci\u00f3n hernandiana, sino que arranca con su primer libro y se convierte casi en una obsesi\u00f3n hasta conseguir el reconocimiento art\u00edstico en 1936. en esta investigaci\u00f3n partiendo del car\u00e1cter org\u00e1nico del arte nuevo como concepto, he intentado poner de relieve esa constante inquietud que afecta no s\u00f3lo a su concepto de poes\u00eda, sino tambi\u00e9n a las transformaciones habidas en su visi\u00f3n tel\u00farica del universo en contacto con los vallecanos as\u00ed como la influencia ejercida por los debates literarios suscitados en los a\u00f1os veinte. el mundo de los p\u00e1jaros, el flamenco y el toro son los ejes que gu\u00edan la po\u00e9tica hernandiana y trasladan la arquitectura cristol\u00f3gica a la pagana hasta convertir el \u00abcanto de agua\u00bben \u00abcanto de piedra\u00bb, la tauromaquia en taurocton\u00eda y al p\u00e1jaro como mediador de procesos intelectivos en \u00e1ngel negro. Tres elementos que nos explican el sentido de su poes\u00eda hasta el rayo que no cesa y que contribuyen a la inserci\u00f3n de miguel hern\u00e1ndez en el proceso hist\u00f3rico de la humanidad no s\u00f3lo como hombre, sino tambi\u00e9n como artista.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Miguel hern\u00e1ndez y el arte nuevo<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Miguel hern\u00e1ndez y el arte nuevo <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Mar\u00eda Inmaculada G\u00f3mez Vera <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Nacional de educaci\u00f3n a distancia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 19\/12\/2008<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Vicente Granados Palomares<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jos\u00e9 nicolas Romera castillo <\/li>\n<li>pedro j. De la pe\u00f1a de la pe\u00f1a (vocal)<\/li>\n<li>Juan  de dios Luque duran (vocal)<\/li>\n<li>Antonio Carvajal milena (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mar\u00eda Inmaculada G\u00f3mez Vera Miguel hern\u00e1ndez y el arte nuevo miguel hern\u00e1ndez irrumpe en el mundo conducido [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,2965,17070],"tags":[50283,5039,3521,188696,126291,3336],"class_list":["post-91013","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-estilo-y-estetica-literarios","category-nacional-de-educacion-a-distancia","tag-antonio-carvajal-milena","tag-jose-nicolas-romera-castillo","tag-juan-de-dios-luque-duran","tag-maria-inmaculada-gomez-vera","tag-pedro-j-de-la-pena-de-la-pena","tag-vicente-granados-palomares"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/91013","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=91013"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/91013\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=91013"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=91013"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=91013"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}