{"id":91275,"date":"2018-03-11T10:09:58","date_gmt":"2018-03-11T10:09:58","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/estudio-de-la-musica-escenica-de-ramon-barce-y-de-la-obra-y-pensamiento-de-alfredo-aracil-a-traves-de-la-memoria\/"},"modified":"2018-03-11T10:09:58","modified_gmt":"2018-03-11T10:09:58","slug":"estudio-de-la-musica-escenica-de-ramon-barce-y-de-la-obra-y-pensamiento-de-alfredo-aracil-a-traves-de-la-memoria","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/escultura\/estudio-de-la-musica-escenica-de-ramon-barce-y-de-la-obra-y-pensamiento-de-alfredo-aracil-a-traves-de-la-memoria\/","title":{"rendered":"Estudio de la m\u00fasica esc\u00e9nica de ram\u00f3n barce  y de la obra y pensamiento de alfredo aracil a trav\u00e9s de la memoria."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Rosa Mar\u00eda Rodr\u00edguez Hern\u00e1ndez <\/strong><\/h2>\n<p>El tema de nuestro trabajo consiste en un estudio sobre las relaciones, que surgiendo entre el cognitivismo y la memoria, pueden establecerse, a su vez, entre dichas relaciones y la m\u00fasica.  la hip\u00f3tesis entra\u00f1a una b\u00fasqueda de c\u00f3mo los aspectos desarrollados en torno a la memoria, han sido utilizados y elaborados en el seno de las composiciones musicales de dos personalidades de gran relevancia en la m\u00fasica espa\u00f1ola del siglo xx: ram\u00f3n barce y alfredo aracil.  la po\u00e9tica de la memoria consigue interactuar el recuerdo y el olvido en el seno de la composici\u00f3n musical, en nuestro caso, espec\u00edficamente contempor\u00e1nea, a trav\u00e9s de las aportaciones filos\u00f3ficas y cient\u00edficas que infieren una nueva categor\u00eda a la memoria, tomada como objeto, y su incidencia en los dos compositores como actores y actuantes. De ellos, se ha hecho necesario el an\u00e1lisis de una de sus obras: oleada de ram\u00f3n barce y adagio con variaciones, de alfredo aracil. La organizaci\u00f3n sonora de estas composiciones, y la est\u00e9tica individual de cada uno de estos m\u00fasicos, ha sido la v\u00eda para una posibilidad de encuentro con t\u00e9cnicas de composici\u00f3n, la creaci\u00f3n musical del siglo xx y su articulaci\u00f3n con diversos aspectos de la memoria.  la naturaleza de la memoria musical constituye un amplio campo de investigaci\u00f3n que necesita seguir siendo desarrollado al hilo del progreso de las artes, de la ciencia y de la filosof\u00eda. Nuestra tesis ha tenido como meta contribuir, en la medida del contexto, a los estudios que sobre este planteamiento interdisciplinar, se vienen llevando a cabo.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Estudio de la m\u00fasica esc\u00e9nica de ram\u00f3n barce  y de la obra y pensamiento de alfredo aracil a trav\u00e9s de la memoria.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Estudio de la m\u00fasica esc\u00e9nica de ram\u00f3n barce  y de la obra y pensamiento de alfredo aracil a trav\u00e9s de la memoria. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Rosa Mar\u00eda Rodr\u00edguez Hern\u00e1ndez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Valencia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 21\/01\/2009<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Francisco Romero G\u00f3mez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Miguel Molina alarc\u00f3n <\/li>\n<li>Jes\u00fas Alcolea banegas (vocal)<\/li>\n<li>manuela Cortes Garc\u00eda (vocal)<\/li>\n<li>carmen Senabre llabata (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Rosa Mar\u00eda Rodr\u00edguez Hern\u00e1ndez El tema de nuestro trabajo consiste en un estudio sobre las relaciones, que [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[4363,16820],"tags":[36604,161256,151633,189153,31322,189152],"class_list":["post-91275","post","type-post","status-publish","format-standard","hentry","category-escultura","category-politecnica-de-valencia","tag-carmen-senabre-llabata","tag-jesus-alcolea-banegas","tag-jose-francisco-romero-gomez","tag-manuela-cortes-garcia","tag-miguel-molina-alarcon","tag-rosa-maria-rodriguez-hernandez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/91275","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=91275"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/91275\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=91275"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=91275"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=91275"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}