{"id":9163,"date":"1995-01-01T00:00:00","date_gmt":"1995-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1995\/01\/01\/la-vida-escenica-en-badajoz-1860-1886\/"},"modified":"1995-01-01T00:00:00","modified_gmt":"1995-01-01T00:00:00","slug":"la-vida-escenica-en-badajoz-1860-1886","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-vida-escenica-en-badajoz-1860-1886\/","title":{"rendered":"La vida escenica en badajoz: 1860-1886"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Angel Suarez Mu\u00f1oz <\/strong><\/h2>\n<p>La tesis mencionada gira en torno a dos hechos: las representaciones numerosas celebradas durante este periodo de tiempo en el principal teatro de la ciudad (teatro del campo de san juan) y el proyecto de construccion de un nuevo teatro, que se prolongara durante 25 a\u00f1os. En lo que se refiere a las representaciones hay que mencionar brevemente algunas cifras: 2.124 representaciones escenicas (excluyendo conciertos y funciones parateatrales); 761 titulos diferentes; 54 funciones al a\u00f1o, como media (una por semana); el 81% estan fechadas; 1\/3 son de estrenos; el 57% son funciones de una sola obra y solo 1\/4 incluyen dos obras (una de ellas de inicio o como fin de fiesta).  mas de la mitad de las obras se representaron entre noviembre y enero. Entre mayo y septiembre hay menos teatro, pero se concentra el 75% de los espectaculos parateatrales. Los dias de la semana preferidos para las funciones fueron los domingos y los jueves. El teatro declamado mas importante (76%) pero la obra mas repetida fue una zarzuela, marina (29 ocasiones).<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La vida escenica en badajoz: 1860-1886<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La vida escenica en badajoz: 1860-1886 <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Angel Suarez Mu\u00f1oz <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Nacional de educaci\u00f3n a distancia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1995<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Nicolas Romera Castillo<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Perez Priego Miguel Angel <\/li>\n<li>Leonardo Romero Tobar (vocal)<\/li>\n<li>Antonio Tordera (vocal)<\/li>\n<li>Angel Berenguer (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Angel Suarez Mu\u00f1oz La tesis mencionada gira en torno a dos hechos: las representaciones numerosas celebradas durante [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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