{"id":91967,"date":"2018-03-11T10:10:53","date_gmt":"2018-03-11T10:10:53","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-arte-de-accion-como-terapia-y-subversion-peregrinaciones-en-el-arte-contemporaneo\/"},"modified":"2018-03-11T10:10:53","modified_gmt":"2018-03-11T10:10:53","slug":"el-arte-de-accion-como-terapia-y-subversion-peregrinaciones-en-el-arte-contemporaneo","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/barcelona\/el-arte-de-accion-como-terapia-y-subversion-peregrinaciones-en-el-arte-contemporaneo\/","title":{"rendered":"El arte de acci\u00f3n como terapia y subversi\u00f3n. peregrinaciones en el arte contempor\u00e1neo"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Laia Manonelles Moner <\/strong><\/h2>\n<p>La presente tesis parte de la idea de fundamentar una genealog\u00eda de (a acci\u00f3n entendida como un ejercicio terap\u00e9utico y subversivo, proponiendo un itinerario a partir del cual fil\u00f3sofos y artistas funden la experiencia vital con la art\u00edstica. En este marco de actuaci\u00f3n la creaci\u00f3n se convierte, en un primer momento, en un instrumento que ayuda a definir, concretar y sobrepasar los conflictos, y en un segundo momento, esta dimensi\u00f3n individual deviene colectiva en el deseo de incidir en el marco social y pol\u00edtico. A lo largo del presente trabajo la \u00abn\u00e1usea existencial\u00bb se transforma en generadora de acci\u00f3n, siendo la tarea de fil\u00f3sofos y artistas amasar sus desasosiegos para darles forma en sus obras y exteriorizarlos con el fin de canalizar el malestar social.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El arte de acci\u00f3n como terapia y subversi\u00f3n. peregrinaciones en el arte contempor\u00e1neo<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El arte de acci\u00f3n como terapia y subversi\u00f3n. peregrinaciones en el arte contempor\u00e1neo <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Laia Manonelles Moner <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 27\/02\/2009<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Pere Salabert Sole<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: lourdes Cirlot valenzuela <\/li>\n<li>jacinto Lageira (vocal)<\/li>\n<li>isabel Cervera (vocal)<\/li>\n<li>elsa Plaza (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Laia Manonelles Moner La presente tesis parte de la idea de fundamentar una genealog\u00eda de (a acci\u00f3n [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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