{"id":92084,"date":"2009-06-03T00:00:00","date_gmt":"2009-06-03T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-ruta-de-la-mascara-el-teatro-de-luigi-pirandello-y-samuel-beckett\/"},"modified":"2009-06-03T00:00:00","modified_gmt":"2009-06-03T00:00:00","slug":"la-ruta-de-la-mascara-el-teatro-de-luigi-pirandello-y-samuel-beckett","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/critica-de-textos\/la-ruta-de-la-mascara-el-teatro-de-luigi-pirandello-y-samuel-beckett\/","title":{"rendered":"\u00abla ruta de la m\u00e1scara: el teatro de luigi pirandello y samuel beckett\u00bb"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Mar\u00eda filomena De Chiara <\/strong><\/h2>\n<p>Acercar y reflejar en un juego de espejos las propuestas de luigi pirandello y samuel beckett constituye el prop\u00f3sito de la presente tesis. El n\u00facleo central de la argumentaci\u00f3n es constituido por la m\u00e1scara, tal como surge de la obra teatral de pirandello. Con el t\u00e9rmino m\u00e1scara se hace referencia no s\u00f3lo al artefacto material utilizable en la puesta en escena, sino sobre todo a la representaci\u00f3n simb\u00f3lica de una experiencia vivida por el ser humano, a trav\u00e9s del personaje teatral. Se sostiene que el nombre propio, el cuerpo y la mirada dibujan los rasgos exteriores de la m\u00e1scara, mientras la oscilaci\u00f3n desde la palabra hasta el silencio, pasando por la locura, caracteriza los elementos internos. La dramaturgia pirandelliana ocupa una posici\u00f3n central en la investigaci\u00f3n y representa el punto de partida para el an\u00e1lisis de las correspondencias. Los \u00e1mbitos de comparaci\u00f3n est\u00e1n determinados por la po\u00e9tica teatral, el lenguaje dram\u00e1tico y  la caracterizaci\u00f3n de los personajes.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>\u00abla ruta de la m\u00e1scara: el teatro de luigi pirandello y samuel beckett\u00bb<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 \u00abla ruta de la m\u00e1scara: el teatro de luigi pirandello y samuel beckett\u00bb <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Mar\u00eda filomena De Chiara <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pompeu fabra<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 06\/03\/2009<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Antonio Monegal Branc\u00f3s<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: jenaro Talens carmona <\/li>\n<li>Mar\u00eda de las nieves Mu\u00f1iz mu\u00f1iz (vocal)<\/li>\n<li>tadeusz Lewicki (vocal)<\/li>\n<li>enric Gallen miret (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mar\u00eda filomena De Chiara Acercar y reflejar en un juego de espejos las propuestas de luigi pirandello [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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