{"id":92200,"date":"2018-03-11T10:11:06","date_gmt":"2018-03-11T10:11:06","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-imagen-de-la-cortesana-en-la-literatura-francesa-y-espanola-de-los-siglos-xvi-y-xvii\/"},"modified":"2018-03-11T10:11:06","modified_gmt":"2018-03-11T10:11:06","slug":"la-imagen-de-la-cortesana-en-la-literatura-francesa-y-espanola-de-los-siglos-xvi-y-xvii","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-imagen-de-la-cortesana-en-la-literatura-francesa-y-espanola-de-los-siglos-xvi-y-xvii\/","title":{"rendered":"La imagen de la cortesana en la literatura francesa y espa\u00f1ola de los siglos xvi y xvii"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Marion Munier <\/strong><\/h2>\n<p>Null en las sociedades francesas y espa\u00f1oles de los siglos xvi y xvii, el sistema de doble moralidad opone la mujer honesta a la mal honesta, categor\u00eda bajo la cual la cortesana es puesta. La literatura, que transmite las representaciones mentales de su \u00e9 poca, ofrece un lugar importante al personaje, eso en los g\u00e9neros po\u00e9ticos, narrativos y dram\u00e1ticos. El corpus, bastante amplio, reagrupa obras de du bellay, de los autores del cabinet satyrique, de quevedo y de leonardo lupercio agensola por la poes \u00eda ; de lope de vega, de mareschal, de larivey por el teatro ; de sorel y de salas barbadillo por la narrativa. La cortesana es muy a menudo presentada como un personaje transgresor, quien desv\u00eda los c\u00f3digos y las normas sociales. Por fin, encarna la  mujer peligrosa estigmatizando los miedos masculinos et denunciando los vicios y los defectos humanos.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La imagen de la cortesana en la literatura francesa y espa\u00f1ola de los siglos xvi y xvii<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La imagen de la cortesana en la literatura francesa y espa\u00f1ola de los siglos xvi y xvii <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Marion Munier <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 13\/03\/2009<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Manuel Losada Goya<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: montserrat Serrano ma\u00f1es <\/li>\n<li>  (vocal)<\/li>\n<li>  (vocal)<\/li>\n<li>  (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Marion Munier Null en las sociedades francesas y espa\u00f1oles de los siglos xvi y xvii, el sistema [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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