{"id":92221,"date":"2018-03-11T10:11:11","date_gmt":"2018-03-11T10:11:11","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-experiencia-interior-hacia-un-arte-batailleano\/"},"modified":"2018-03-11T10:11:11","modified_gmt":"2018-03-11T10:11:11","slug":"la-experiencia-interior-hacia-un-arte-batailleano","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/filosofia-de-la-cultura\/la-experiencia-interior-hacia-un-arte-batailleano\/","title":{"rendered":"La experiencia interior: hacia un arte batailleano"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Alberto Martin Gomez Ascaso <\/strong><\/h2>\n<p>La experiencia de la creaci\u00f3n art\u00edstica, como experiencia interior, a partir del pensamiento de georges bataille, plantea una forma diferente de mirar el arte.  la tesis se estructura en cuatro partes. La primera de ellas es un recorrido panor\u00e1mico por los principales movimientos art\u00edsticos de la primera mitad del siglo xx, atendiendo sobre todo a sus aspectos te\u00f3ricos y la implicaci\u00f3n de estos con la corrientes filos\u00f3ficas de la \u00e9poca. La segunda parte indaga en las influencias fundamentales que conformaron el pensamiento del joven bataille, integrado en el ambiente intelectual de par\u00eds, a partir de los a\u00f1os veinte. La tercera parte, una met\u00e1fora y tres conceptos, profundiza en los aspectos fundamentales de la obra batailleana que nos permitir\u00e1n plantear lo pudiera ser su peculiar visi\u00f3n del arte. La cuarta parte constituye nuestra tesis propiamente dicha: la experiencia creativa como experiencia interior, como voluntad de suerte y como acto soberano, lo que llamaremos un arte batailleano.  el arte, visto desde el momento preciso del acto creativo, supone una salida del proyecto mediante un proyecto, un acto de trasgresi\u00f3n durante el cual el individuo traspasa la puerta del instante y se abisma en un viaje hasta el l\u00edmite de lo posible en el que va a perderse como tal sujeto. Sin embargo esta voluntad de disoluci\u00f3n no va a concluir en la aniquilaci\u00f3n total del individuo, sino que el viaje habr\u00e1 de tener regreso, y tal regreso, en un tiempo y lugar desconocidos, ser\u00e1 precisamente la obra que llamaremos art\u00edstica. el acto creativo constituye as\u00ed una experiencia \u00edntima de transformaci\u00f3n, durante la cual, artista y espectador, van a fundirse en una suerte de experiencia que bataille llamar\u00eda de comuni\u00f3n, y que \u00e9l mismo busc\u00f3 durante toda su obra y su vida.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La experiencia interior: hacia un arte batailleano<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La experiencia interior: hacia un arte batailleano <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Alberto Martin Gomez Ascaso <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Zaragoza<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 13\/03\/2009<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Luis Rodriguez Garcia<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: ignacio Izuzquiza otero <\/li>\n<li>agustin Gonzalez gallego (vocal)<\/li>\n<li>Miguel Morey farr\u00e9 (vocal)<\/li>\n<li>Antonio Campillo meseguer (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Alberto Martin Gomez Ascaso La experiencia de la creaci\u00f3n art\u00edstica, como experiencia interior, a partir del pensamiento [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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