{"id":92290,"date":"2018-03-11T10:11:15","date_gmt":"2018-03-11T10:11:15","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/correspondencias-el-caracter-plastico-de-las-formas-de-notacion-poesa%c2%ada-musica-y-danza\/"},"modified":"2018-03-11T10:11:15","modified_gmt":"2018-03-11T10:11:15","slug":"correspondencias-el-caracter-plastico-de-las-formas-de-notacion-poesa%c2%ada-musica-y-danza","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/correspondencias-el-caracter-plastico-de-las-formas-de-notacion-poesa%c2%ada-musica-y-danza\/","title":{"rendered":"Correspondencias&#8230; el car\u00e1cter pl\u00e1stico de las formas de notaci\u00f3n: poes\u00eda, m\u00fasica y danza"},"content":{"rendered":"<h2>Tesis doctoral de <strong> M.lourdes Castro Ceron <\/strong><\/h2>\n<p>Null desde el ejercicio de la pintura se contempla la necesidad enraizada en el ser humano de aproximarse a la obra de arte con una formaci\u00f3n \u00edntegra e interdisciplinar sobre lo que supone el proceso creativo. Esta disertaci\u00f3n sienta sus bases en la tesis  de que los sistemas de notaci\u00f3n de todas las disciplinas del arte reportan una fuente de conocimientos para acercarse a la obra final, as\u00ed como al r\u00e9gimen de trabajo y al art\u00edfice mismo. Se estudian las analog\u00edas, diferencias y afinidades que existe n entre tres disciplinas del arte: poes\u00eda m\u00fasica y danza respecto a la pintura y al dibujo, a trav\u00e9s de los sistemas de notaci\u00f3n, la caligraf\u00eda o el lenguaje escrito del que se sirven dichas disciplinas \u00c2\u00bfpartituras musicales, coreogr\u00e1ficas o las form as de la poes\u00eda visual\u00c2\u00bf, considerando su inter\u00e9s pl\u00e1stico, gr\u00e1fico o pict\u00f3rico, aportando argumentos te\u00f3ricos y una selecci\u00f3n gr\u00e1fica de sistemas de notaci\u00f3n y anotaciones. Se plantea un discernimiento sobre por qu\u00e9 interesan estas piezas considerada s piezas menores del arte y se analizan los conceptos y t\u00e9rminos necesarios para comprender su relevancia y en qu\u00e9 medida sustentan la obra final. A la vez se estima el valor intr\u00ednseco de dichas piezas por ser un registro inequ\u00edvoco del trabajo en e l taller: ciertas rarezas, piezas olvidadas, extravagantes, relegadas, que yacen bajo la sombra de las obras de las que son sus anotaciones; testimonio de horas de trabajo y estudio, de las correcciones, dudas y arrepentimientos que constituyen la ba se de toda obra final. Toda esta documentaci\u00f3n, la cual no siempre est\u00e1 al alcance del espectador, refleja el pilar fundamental sobre el que cada art\u00edfice erige su filosof\u00eda de vida y su concepci\u00f3n sobre una o varias disciplinas del arte.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Correspondencias&#8230; el car\u00e1cter pl\u00e1stico de las formas de notaci\u00f3n: poes\u00eda, m\u00fasica y danza<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Correspondencias&#8230; el car\u00e1cter pl\u00e1stico de las formas de notaci\u00f3n: poes\u00eda, m\u00fasica y danza <\/li>\n<li><strong>Autor:<\/strong>\u00a0 M.lourdes Castro Ceron <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 17\/03\/2009<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Mar\u00eda S\u00e1nchez Cifuentes<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: manuel Parralo dorado <\/li>\n<li>  (vocal)<\/li>\n<li>  (vocal)<\/li>\n<li>  (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de M.lourdes Castro Ceron Null desde el ejercicio de la pintura se contempla la necesidad enraizada en el [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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