{"id":92916,"date":"2018-03-11T10:12:03","date_gmt":"2018-03-11T10:12:03","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-contracultura-y-el-cine-usa-de-los-anos-70\/"},"modified":"2018-03-11T10:12:03","modified_gmt":"2018-03-11T10:12:03","slug":"la-contracultura-y-el-cine-usa-de-los-anos-70","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-contracultura-y-el-cine-usa-de-los-anos-70\/","title":{"rendered":"La contracultura y el cine usa de los a\u00f1os 70"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Alexis Racionero Rague <\/strong><\/h2>\n<p>Esta investigaci\u00f3n indaga en la especificidad del cine de hollywood de los a\u00f1os setenta a partir de sus v\u00ednculos con las ideas de la contracultura. Los a\u00f1os setenta son un per\u00edodo de excepci\u00f3n en la industria debido a una importante crisis econ\u00f3mica como consecuencia del cambio en el tipo de espectador y la incidencia de la televisi\u00f3n. Este periodo ha sido denominado el nuevo hollywood debido a que como sucediera en europa, eeuu desarroll\u00f3 un nuevo tipo de cine m\u00e1s autoral. De una parte, estaba la influencia de los nuevos cines europeos y de cineastas americanos como nicholas ray o independientes como roger com\u00edan, pero a ello debe sumarse el impacto de las ideas de kerouac, ginsberg, marc use, leary o tantos otros. El nuevo cine de hollywood fue consecuencia de un tiempo en el que tos j\u00f3venes quisieron cambiar el mundo y la gran industria cinematogr\u00e1fica se rindi\u00f3 al impacto de esta revuelta cultural., El graduado ((mlcke nichols, 1967) easy rkter (dennis hooper, 1969) woodstock (mlchael wadleigh, 1969) o hair (mitos forman, 1979) son algunos de tos ejemplos tratados en este estudio que vincula la historia contempor\u00e1nea, la sociolog\u00eda y el cine.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La contracultura y el cine usa de los a\u00f1os 70<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La contracultura y el cine usa de los a\u00f1os 70 <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Alexis Racionero Rague <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 22\/04\/2009<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Anna Casanovas<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: roman Gubern garriga-nogu\u00e9s <\/li>\n<li>josep Florit (vocal)<\/li>\n<li>  (vocal)<\/li>\n<li>  (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Alexis Racionero Rague Esta investigaci\u00f3n indaga en la especificidad del cine de hollywood de los a\u00f1os setenta [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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