{"id":93010,"date":"2018-03-11T10:12:13","date_gmt":"2018-03-11T10:12:13","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-documental-como-herramienta-de-intervencion-social-caso-sintel\/"},"modified":"2018-03-11T10:12:13","modified_gmt":"2018-03-11T10:12:13","slug":"el-documental-como-herramienta-de-intervencion-social-caso-sintel","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/cinematografia\/el-documental-como-herramienta-de-intervencion-social-caso-sintel\/","title":{"rendered":"El documental como herramienta de intervenci\u00f3n social: caso sintel"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Isadora Guardia Calvo <\/strong><\/h2>\n<p>El documental de intervenci\u00f3n se erige como un texto f\u00edlmico con conciencia de si mismo como agente mediador con la realidad. Su relaci\u00f3n dial\u00e9ctica con los protagonistas, tambi\u00e9n considerados agentes, permite una aproximaci\u00f3n a los acontecimientos mayor que cualquier otro texto. Se trata no s\u00f3lo de un conjunto de c\u00f3digos y significados sino que se vincula a procesos anal\u00edticos y sociales m\u00e1s complejos. su capacidad de construirse como herramienta de intervenci\u00f3n, con una alta dosis de funcionalidad, va pareja con la posibilidad de considerarlo al tiempo una obra art\u00edstica. es precisamente por su modo de producci\u00f3n, aquello que lo define como documental, por lo que se puede encontrar una serie de rasgos estil\u00edsticos constantes en el espacio\/tiempo.  el estudio a trav\u00e9s del an\u00e1lisis f\u00edlmico de una serie de documentales con tem\u00e1tica y modos de producci\u00f3n semejante a lo largo del tiempo permite validar esta doble hip\u00f3tesis. el documental de intervenci\u00f3n, que comparte muchas de las caracter\u00edsticas del llamado tradicionalmente documental militante, se separa aqu\u00ed de su definici\u00f3n como si de un g\u00e9nero se tratase para otorgar al denominado militante, una funci\u00f3n dentro de una gradaci\u00f3n en cuanto a su aproxiamci\u00f3n a la realidad.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El documental como herramienta de intervenci\u00f3n social: caso sintel<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El documental como herramienta de intervenci\u00f3n social: caso sintel <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Isadora Guardia Calvo <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Universitat de val\u00e9ncia (estudi general)<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 27\/04\/2009<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Antonia Cabanilles Sanchis<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: josep Gavald? roca <\/li>\n<li>claudia Rausell k\u00ed\u00b6ster (vocal)<\/li>\n<li>vicente Ponce ferrer (vocal)<\/li>\n<li>angel Quintana morraja (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Isadora Guardia Calvo El documental de intervenci\u00f3n se erige como un texto f\u00edlmico con conciencia de si [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[5547,13482],"tags":[41308,50282,146896,192223,192007,169081],"class_list":["post-93010","post","type-post","status-publish","format-standard","hentry","category-cinematografia","category-politica-de-la-informacion","tag-angel-quintana-morraja","tag-antonia-cabanilles-sanchis","tag-claudia-rausell-kister","tag-isadora-guardia-calvo","tag-josep-gavald-roca","tag-vicente-ponce-ferrer"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/93010","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=93010"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/93010\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=93010"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=93010"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=93010"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}