{"id":94096,"date":"2018-03-11T10:13:41","date_gmt":"2018-03-11T10:13:41","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/representaciones-de-la-modernidad-en-el-cine-futurista-el-caso-de-blade-runner\/"},"modified":"2018-03-11T10:13:41","modified_gmt":"2018-03-11T10:13:41","slug":"representaciones-de-la-modernidad-en-el-cine-futurista-el-caso-de-blade-runner","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sociologia-cultural\/representaciones-de-la-modernidad-en-el-cine-futurista-el-caso-de-blade-runner\/","title":{"rendered":"Representaciones de la modernidad en el cine futurista: el caso de blade runner"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Juan  Fernando Vizcarra Schumm <\/strong><\/h2>\n<p>Se trata de un trabajo de investigaci\u00f3n, inscrito en el paradigma hermen\u00e9utico, que plantea una estrategia metodol\u00f3gica sustentada en la sociolog\u00eda de la cultura y basada en el modelo de an\u00e1lisis textual, a fin de identificar en el discurso cinematogr\u00e1fico de blade runner (ridley scott, 1982) un conjunto de elementos narrativos, est\u00e9ticos y de representaci\u00f3n social que revelan la radicalizaci\u00f3n de los efectos de la modernidad en el mundo contempor\u00e1neo. Asume, por lo tanto, la b\u00fasqueda formal de una dial\u00e9ctica: la construcci\u00f3n cognitiva de las relaciones primordiales entre un acontecimiento discursivo y sus condiciones hist\u00f3ricas y sociales de producci\u00f3n.  la presente tesis doctoral es un intento de dialogo entre la sociolog\u00eda de la cultura y el fen\u00f3meno cinematogr\u00e1fico. Pretende ser un ejercicio de hermen\u00e9utica profunda a partir de la producci\u00f3n de una forma simb\u00f3lica compleja. En este espacio me propongo pensar el arte f\u00edlmico, particularmente el cine futurista, desde ciertos insumos sociol\u00f3gicos. Su objetivo es el estudio de las relaciones entre el fen\u00f3meno cinematogr\u00e1fico y la construcci\u00f3n de representaciones sociales. \u00c2\u00bfde qu\u00e9 forma participa el cine activamente en la configuraci\u00f3n de los imaginarios colectivos? \u00c2\u00bfc\u00f3mo se gestan las discursividades f\u00edlmicas en el seno de las discursividades sociales? \u00c2\u00bfbajo qu\u00e9 l\u00f3gicas de apropiaci\u00f3n las representaciones sociales inscritas en el discurso cinematogr\u00e1fico se vuelven mitos?<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Representaciones de la modernidad en el cine futurista: el caso de blade runner<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Representaciones de la modernidad en el cine futurista: el caso de blade runner <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Juan  Fernando Vizcarra Schumm <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Zaragoza<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 17\/06\/2009<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Angel Bergua Amores<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jos\u00e9 Luis Rodriguez garcia <\/li>\n<li>Jos\u00e9 Miguel Beriain razquin (vocal)<\/li>\n<li>Antonio Mu\u00f1oz carri\u00f3n (vocal)<\/li>\n<li>gabriel Gatti casal del rey (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Juan Fernando Vizcarra Schumm Se trata de un trabajo de investigaci\u00f3n, inscrito en el paradigma hermen\u00e9utico, que [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[5547,24577,17906,2232,13610],"tags":[36300,54771,191485,141563,45970,194092],"class_list":["post-94096","post","type-post","status-publish","format-standard","hentry","category-cinematografia","category-evolucion-de-las-sociedades","category-hermeneutica","category-sociologia-cultural","category-zaragoza","tag-antonio-munoz-carrion","tag-gabriel-gatti-casal-del-rey","tag-jose-angel-bergua-amores","tag-jose-luis-rodriguez-garcia","tag-jose-miguel-beriain-razquin","tag-juan-fernando-vizcarra-schumm"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/94096","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=94096"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/94096\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=94096"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=94096"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=94096"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}