{"id":94195,"date":"2018-03-11T10:13:50","date_gmt":"2018-03-11T10:13:50","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/estudio-y-edicion-filologica-y-musical-del-manuscrito-m-471-del-arquivo-distrital-de-braga\/"},"modified":"2018-03-11T10:13:50","modified_gmt":"2018-03-11T10:13:50","slug":"estudio-y-edicion-filologica-y-musical-del-manuscrito-m-471-del-arquivo-distrital-de-braga","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia-moderna\/estudio-y-edicion-filologica-y-musical-del-manuscrito-m-471-del-arquivo-distrital-de-braga\/","title":{"rendered":"Estudio y edici\u00f3n filol\u00f3gica y musical del manuscrito m-471 del arquivo distrital de braga"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Xos\u00e9 Crisanto G\u00e1ndara Eiroa <\/strong><\/h2>\n<p>La tesis tiene por objeto de estudio y edici\u00f3n el manuscrito m-471 custodiado en el arquivo distrital de braga. Se trata de una recopilaci\u00f3n de  67 bailes, 42 de los cuales est\u00e1n transcritos con su m\u00fasica, y datada probablemente entre 1690 y 1704. Este hecho otorga un car\u00e1cter excepcional al documento en el que figura el nombre del autor de la compilaci\u00f3n, felipe jacome de sousa (1668-1726), as\u00ed como el de varios m\u00fasicos. El trabajo se articula en tres secciones. En la primera, dividida en seis cap\u00edtulos, se estudia la formaci\u00f3n del volumen, el autor de la compilaci\u00f3n, los m\u00fasicos, y el contexto en que se gesta el manuscrito.  la segunda secci\u00f3n integra la edici\u00f3n filol\u00f3gica de los bailes, precedida por tres cap\u00edtulos dedicados al estudio de los personajes, la m\u00e9trica y la ortograf\u00eda por las peculiaridades ling\u00ed\u00bc\u00edsticas que ofrecen los textos. La tercera secci\u00f3n consiste en la edici\u00f3n musical, en la que se incluyen todos los bailes con m\u00fasica que figuran en el manuscrito. contiene, adem\u00e1s, un amplio ap\u00e9ndice documental fruto de pesquisas archiv\u00edsticas que permite dar cuenta del contexto cultural en que se sit\u00faa la recopilaci\u00f3n.  esta tesis constituye una valiosa aportaci\u00f3n tanto en el \u00e1mbito de la historia de la literatura, y en especial del teatro breve, como en el de la musicolog\u00eda, al tener como base de su investigaci\u00f3n un testimonio \u00fanico de las relaciones interdisciplinarias e interculturales que gobiernan las producciones art\u00edstica y festivas de espa\u00f1a y portugal a fines del siglo xvii.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Estudio y edici\u00f3n filol\u00f3gica y musical del manuscrito m-471 del arquivo distrital de braga<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Estudio y edici\u00f3n filol\u00f3gica y musical del manuscrito m-471 del arquivo distrital de braga <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Xos\u00e9 Crisanto G\u00e1ndara Eiroa <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 A coru\u00f1a<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 19\/06\/2009<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>M\u00aa Jos\u00e9 Mart\u00ednez L\u00f3pez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: german Vega garcia luengos <\/li>\n<li>carmen Valcarcel rivera (vocal)<\/li>\n<li>Miguel \u00e1ngel Mar\u00edn l\u00f3pez (vocal)<\/li>\n<li>rui Vieira nery (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Xos\u00e9 Crisanto G\u00e1ndara Eiroa La tesis tiene por objeto de estudio y edici\u00f3n el manuscrito m-471 custodiado [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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