{"id":94237,"date":"2018-03-11T10:13:50","date_gmt":"2018-03-11T10:13:50","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/cines-espejos-socioeconomicos-e-instrumentos-institucionales-historia-de-los-cines-de-las-comarcas-tarraconenses-1956-2009\/"},"modified":"2018-03-11T10:13:50","modified_gmt":"2018-03-11T10:13:50","slug":"cines-espejos-socioeconomicos-e-instrumentos-institucionales-historia-de-los-cines-de-las-comarcas-tarraconenses-1956-2009","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/cines-espejos-socioeconomicos-e-instrumentos-institucionales-historia-de-los-cines-de-las-comarcas-tarraconenses-1956-2009\/","title":{"rendered":"Cines: espejos socioecon\u00f3micos e instrumentos institucionales, historia de los cines de las comarcas tarraconenses (1956-2009)"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Isaac Lopez Sanchez <\/strong><\/h2>\n<p>Cines: espejos socioecon\u00f3micos e instrumentos institucionales. Historia de los cines de las comarcas tarraconenses (1956-2009), es un estudio interdisciplinar de la historia contempor\u00e1nea de cinco d\u00e9cadas trascendentales en la provincia de tarragona, donde los cines son utilizados como indicativos socioecon\u00f3micos para reflejar una metamorfosis urban\u00edstica, econ\u00f3mica, demogr\u00e1fica y de cambio de costumbres en el ocio. La tesis est\u00e1 dividida en dos vol\u00famenes, el primero con cinco grandes bloques o cap\u00edtulos que recoge aspectos econ\u00f3micos: las fases y crisis econ\u00f3micas y su impacto en el sector de la exhibici\u00f3n tarraconenses;sociales: la incidencia de las migraciones y el aumento de poblaci\u00f3n sobre la aparici\u00f3n de los nuevos centros de entretenimiento; hist\u00f3ricos: la evoluci\u00f3n de los cines de las comarcas tarraconenses, desde los de las grandes ciudades hasta los de las poblaciones m\u00e1s humildes; aspectos legislativos: instituciones jur\u00eddicas y administrativas que controlaban las salas de exhibici\u00f3n; religiosos (el papel del arzobispado de tarragona,di\u00f3cesis de tortosa y por extensi\u00f3n de la iglesia en el consejo de censura) y sociol\u00f3gicos: el cambio de costumbres en los h\u00e1bitos de ocio y la repercusi\u00f3n en la eshibici\u00f3n de las proyecciones en \u00c2\u00b7d, internet y la tdt. el segundo volumen incorpora la bibliografia y un anexo documental que incluye una gu\u00eda de cines por comarcas y municipio (1956-2009), a partir de los datos recopilados de diferentes archivos donde se recupera la imagen(a trav\u00e9s de fotograf\u00edas y planos), y se reconstruye la historia de aquellos cines del presente y del pasado tarraconense.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Cines: espejos socioecon\u00f3micos e instrumentos institucionales, historia de los cines de las comarcas tarraconenses (1956-2009)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Cines: espejos socioecon\u00f3micos e instrumentos institucionales, historia de los cines de las comarcas tarraconenses (1956-2009) <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Isaac Lopez Sanchez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Rovira i virgili<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 19\/06\/2009<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Josep Sanchez Cervello<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Santiago de Pablo contreras <\/li>\n<li>jordi Piqu\u00e9 padr\u00f3 (vocal)<\/li>\n<li>josep Pich mitjana (vocal)<\/li>\n<li>hipolito De la torre gomez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Isaac Lopez Sanchez Cines: espejos socioecon\u00f3micos e instrumentos institucionales. Historia de los cines de las comarcas tarraconenses [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[104,18759],"tags":[4708,194318,139875,70798,19722,23283],"class_list":["post-94237","post","type-post","status-publish","format-standard","hentry","category-historia","category-rovira-i-virgili","tag-hipolito-de-la-torre-gomez","tag-isaac-lopez-sanchez","tag-jordi-pique-padro","tag-josep-pich-mitjana","tag-josep-sanchez-cervello","tag-santiago-de-pablo-contreras"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/94237","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=94237"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/94237\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=94237"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=94237"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=94237"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}