{"id":94315,"date":"2018-03-11T10:14:01","date_gmt":"2018-03-11T10:14:01","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-documental-expandido-pantalla-y-espacio\/"},"modified":"2018-03-11T10:14:01","modified_gmt":"2018-03-11T10:14:01","slug":"el-documental-expandido-pantalla-y-espacio","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/barcelona\/el-documental-expandido-pantalla-y-espacio\/","title":{"rendered":"El documental expandido: pantalla y espacio"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Jacobo Sucari Jabbaz <\/strong><\/h2>\n<p>La representaci\u00f3n documental contempor\u00e1nea ampl\u00eda el cuadro bidimensional de la tv o el cine, en nuevos formatos donde, tanto el recorrido espacial del espectador por la sala como la multiplicidad narrativa o el acceso aleatorio a la informaci\u00f3n tienen especial incidencia a la hora de concebir y desarrollar nuevos procesos de representaci\u00f3n documental. el documental expandido sugiere as\u00ed, nuevas f\u00f3rmulas y maneras de representaci\u00f3n que podemos englobar en un \u00e1mbito post-media que trasciende las caracter\u00edsticas propias de un medio espec\u00edfico y las categor\u00edas que hasta entonces eran de aplicaci\u00f3n b\u00e1sica a la hora de analizar sus f\u00f3rmulas y estrategias comunicativas. El \u00e1mbito del documental post-media produce de esta manera un modelo donde se aunan el cine, el video, la fotograf\u00eda, el texto, la inform\u00e1tica, la instalaci\u00f3n. el documental expandido es en esencia un producto h\u00edbrido, una mezcla de tendencias y formulaciones definidas en los \u00e1mbitos de la tradici\u00f3n cinematogr\u00e1fica y en distintas pr\u00e1cticas art\u00edsticas contempor\u00e1neas.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El documental expandido: pantalla y espacio<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El documental expandido: pantalla y espacio <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Jacobo Sucari Jabbaz <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 22\/06\/2009<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Josep Mar\u00eda Catal? Dom\u00e9nech<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: josu Rekalde izaguirre <\/li>\n<li>Jos\u00e9 Francisco Cerd\u00e1n los arcos (vocal)<\/li>\n<li>  (vocal)<\/li>\n<li>  (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Jacobo Sucari Jabbaz La representaci\u00f3n documental contempor\u00e1nea ampl\u00eda el cuadro bidimensional de la tv o el cine, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[951,4510,1111],"tags":[194459,81113,181842,28148],"class_list":["post-94315","post","type-post","status-publish","format-standard","hentry","category-barcelona","category-estetica-de-las-bellas-artes","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-jacobo-sucari-jabbaz","tag-jose-francisco-cerdan-los-arcos","tag-josep-maria-catal-domanech","tag-josu-rekalde-izaguirre"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/94315","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=94315"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/94315\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=94315"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=94315"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=94315"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}