{"id":94426,"date":"2018-03-11T10:14:10","date_gmt":"2018-03-11T10:14:10","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-exilio-interior-en-los-statische-gedichte-1948-de-gottfried-benn-y-sombra-del-paraa%c2%adso-1944-de-vicente-aleixandre\/"},"modified":"2018-03-11T10:14:10","modified_gmt":"2018-03-11T10:14:10","slug":"el-exilio-interior-en-los-statische-gedichte-1948-de-gottfried-benn-y-sombra-del-paraa%c2%adso-1944-de-vicente-aleixandre","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia-de-la-literatura\/el-exilio-interior-en-los-statische-gedichte-1948-de-gottfried-benn-y-sombra-del-paraa%c2%adso-1944-de-vicente-aleixandre\/","title":{"rendered":"El exilio interior en los ‘statische gedichte’ (1948) de gottfried benn y ‘sombra del para\u00edso’ (1944) de vicente aleixandre."},"content":{"rendered":"

Tesis doctoral de Mar\u00eda Victoria L\u00f3pez De Goicoechea Saiz <\/strong><\/h2>\n

El principal objetivo que ha guiado esta tesis doctoral ha sido identificar el exilio interior como un concepto literario en las letras alemanas y espa\u00f1olas del siglo xx. Avalado por el corpus de los statische gedichte de gottfried benn y sombra del para\u00edso de vicente aleixandre, este trabajo se ofrece como el primero en el que de manera te\u00f3rica y sistem\u00e1tica se propone una delimitaci\u00f3n de los principales rasgos que definen el exilio interior literario. el estudio se inserta en el marco de los m\u00e9todos comparativos y se fundamenta en la teor\u00eda arquet\u00edpica de northrop frye. Este enfoque ha permitido comparar el exilio interior en gottfried benn y vicente aleixandre subrayando las consideraciones literarias y respetando las particularidades de estilo y cosmovisi\u00f3n de cada autor. Dada la heterogeneidad de ambos autores y sus respectivos poemarios, este trabajo ofrece un an\u00e1lisis tem\u00e1tico de los statische gedichte y explora la configuraci\u00f3n imaginativa y verbal de sombra del para\u00edso. El objetivo primordial ha sido indagar en la configuraci\u00f3n m\u00edtica de ambos poemarios, que responde inequ\u00edvocamente al exilio interior. la reflexi\u00f3n cr\u00edtica sobre la escritura ex\u00edlica de gottfried benn y vicente aleixandre se ha complementado con un an\u00e1lisis de su circunstancia biogr\u00e1fica, hist\u00f3rica y cultural. Se incluyen tambi\u00e9n las aportaciones de la cr\u00edtica a prop\u00f3sito de los conceptos aplicados a la literatura del exilio interior y el exilio. Esto ha permitido enriquecer los resultados del an\u00e1lisis de los statische gedichte y sombra del para\u00edso y ofrecer nuevas pautas y perspectivas de estudio para futuros trabajos.<\/p>\n

 <\/p>\n

Datos acad\u00e9micos de la tesis doctoral \u00abEl exilio interior en los ‘statische gedichte’ (1948) de gottfried benn y ‘sombra del para\u00edso’ (1944) de vicente aleixandre.<\/strong>\u00ab<\/h3>\n
    \n
  • T\u00edtulo de la tesis:<\/strong>\u00a0 El exilio interior en los ‘statische gedichte’ (1948) de gottfried benn y ‘sombra del para\u00edso’ (1944) de vicente aleixandre. <\/li>\n
  • Autor:<\/strong>\u00a0 Mar\u00eda Victoria L\u00f3pez De Goicoechea Saiz <\/li>\n
  • Universidad:<\/strong>\u00a0 Navarra<\/li>\n
  • Fecha de lectura de la tesis:<\/strong>\u00a0 25\/06\/2009<\/li>\n<\/ul>\n

     <\/p>\n

    Direcci\u00f3n y tribunal<\/h3>\n
      \n
    • Director de la tesis<\/strong>\n
        \n
      • Luis Ramon Galvan Moreno<\/li>\n<\/ul>\n<\/li>\n
      • Tribunal<\/strong>\n
          \n
        • Presidente del tribunal: kurt Spang <\/li>\n
        • patricia Cifre wibrow (vocal)<\/li>\n
        • jordi Jan\u00e9 carb\u00f3 (vocal)<\/li>\n
        • Jes\u00fas Gonz\u00e1lez maestro (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n

           <\/p>\n","protected":false},"excerpt":{"rendered":"

          Tesis doctoral de Mar\u00eda Victoria L\u00f3pez De Goicoechea Saiz El principal objetivo que ha guiado esta tesis doctoral ha sido […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[713,17749],"tags":[71518,8926,17923,178517,194644,194645],"class_list":["post-94426","post","type-post","status-publish","format-standard","hentry","category-historia-de-la-literatura","category-navarra","tag-jesus-gonzalez-maestro","tag-jordi-jane-carbo","tag-kurt-spang","tag-luis-ramon-galvan-moreno","tag-maria-victoria-lopez-de-goicoechea-saiz","tag-patricia-cifre-wibrow"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/94426","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=94426"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/94426\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=94426"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=94426"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=94426"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}