{"id":94549,"date":"2018-03-11T10:14:18","date_gmt":"2018-03-11T10:14:18","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/videocreacion-en-galicia-practicas-pioneras-en-la-decada-de-los-80\/"},"modified":"2018-03-11T10:14:18","modified_gmt":"2018-03-11T10:14:18","slug":"videocreacion-en-galicia-practicas-pioneras-en-la-decada-de-los-80","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/cinematografia\/videocreacion-en-galicia-practicas-pioneras-en-la-decada-de-los-80\/","title":{"rendered":"Videocreaci\u00f3n en galicia. pr\u00e1cticas pioneras en la d\u00e9cada de los 80"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Fernando Jos\u00e9 Su\u00e1rez  Cabeza <\/strong><\/h2>\n<p>Esta investigaci\u00f3n pretende hacer una cartograf\u00eda de las pr\u00e1cticas audiovisuales vinculadas la \u00e1mbito de la creaci\u00f3n en el entorno geogr\u00e1fico gallego. El trabajo est\u00e1 encuadrado cronol\u00f3gicamente en un d\u00e9cada, desde el a\u00f1o 84, primer trabajo de videocreaci\u00f3n gallega al 95, donde irrumpe la segunda generaci\u00f3n de videocreadores, cuyos planteamientos y motivaciones son muy diferentes. entre los objetivos propuestos por este estudio, destaca el hecho de rescatar las piezas m\u00e1s representativas de dicho periodo, estudiar a los autores y sus motivaciones, analizar las estructuras que posibilitaron y articularon estas actuaciones, (instituciones y productoras) y las conexiones existentes entre los autores. As\u00ed como indaga en el posible poso que dej\u00f3 esta generaci\u00f3n. la t\u00e9sis de marcado car\u00e1cter historicista, desde el entorno pol\u00edtico y cultural de la realidad gallega, donde se desarrollan los hechos que se invetigan e incidiendo en los antecedentes y procesos art\u00edsticos de los a\u00f1os 70. Se amplia el campo de trabajo a los c\u00edrculos vinculados a la realizaci\u00f3n cinematogr\u00e1fica, colectivos que alimentaran y de los que saldr\u00e1n parte de los autores vinculados a la videocreaci\u00f3n. Esta construida entorno al trabajo de campo, basado en las entrevistas realizadas a los cr\u00edticos, agentes culturales, representantes de las instituciones y los propios autores que protagonizaron los hechos. Generando una taxonom\u00eda de los trabajos y sus autores, desde la formaci\u00f3n incial, su entorno cultural y art\u00edstico, el acercamiento personal al medio tecnol\u00f3gico, su posicionamiento respecto a la propia herramienta, a la experimentaci\u00f3n y a la creaci\u00f3n. Rese\u00f1ando su producci\u00f3n videogr\u00e1fica y las relaciones establecidad, tanto a nivel auton\u00f3mico como en el plano nacional e internacional.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Videocreaci\u00f3n en galicia. pr\u00e1cticas pioneras en la d\u00e9cada de los 80<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Videocreaci\u00f3n en galicia. pr\u00e1cticas pioneras en la d\u00e9cada de los 80 <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Fernando Jos\u00e9 Su\u00e1rez  Cabeza <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Vigo<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 26\/06\/2009<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Dolores Dopico  Aneiros<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: jose Chavete rodriguez <\/li>\n<li>Mar\u00eda  soledad Farre brufao (vocal)<\/li>\n<li>Mar\u00eda  Jos\u00e9 Martinez de pison ramon (vocal)<\/li>\n<li>alfonso Ruiz rallo (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Fernando Jos\u00e9 Su\u00e1rez Cabeza Esta investigaci\u00f3n pretende hacer una cartograf\u00eda de las pr\u00e1cticas audiovisuales vinculadas la \u00e1mbito [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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