{"id":957,"date":"1994-01-01T00:00:00","date_gmt":"1994-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1994\/01\/01\/tensiones-color-textura-en-las-superficies-graficas-aplicacion-de-codigos-seriados-en-la-exploracion-de-sus-relaciones-plasticas\/"},"modified":"1994-01-01T00:00:00","modified_gmt":"1994-01-01T00:00:00","slug":"tensiones-color-textura-en-las-superficies-graficas-aplicacion-de-codigos-seriados-en-la-exploracion-de-sus-relaciones-plasticas","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/tensiones-color-textura-en-las-superficies-graficas-aplicacion-de-codigos-seriados-en-la-exploracion-de-sus-relaciones-plasticas\/","title":{"rendered":"Tensiones color-textura en las superficies graficas. aplicacion de codigos seriados en la exploracion de sus relaciones plasticas"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Gragera Martin De Saavedra Alonso <\/strong><\/h2>\n<p>Investigacion teorico-practica que pretende visualizar diversas reaciones formales y cromaticas en contextos (superficies graficas) en los que colores y signos, en estrecha interrelacion, desarrollen toda su potencia expresiva. Tras una amplia consideracion de la teoria general del color, partiendo de la definicion de textura visual y signo grafico, se ha codificado forma y color en sistemas operativos que rigen las relaciones entre ambos elementos plasticos.  el estudio se materializa en un conjunto de superficies (serigrafias y fotolitos) que ilustran las relaciones establecidas a priori por los codigos dise\u00f1ados.  la investigacion se caracteriza por un marcado deseo de objetividad, que se traduce en el voluntario distanciamiento del bagaje plastico personal, para liberar las asociaciones formales y cromaticas de todo juicio, o prejuicio, sobre lo bello o lo armonioso.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Tensiones color-textura en las superficies graficas. aplicacion de codigos seriados en la exploracion de sus relaciones plasticas<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Tensiones color-textura en las superficies graficas. aplicacion de codigos seriados en la exploracion de sus relaciones plasticas <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Gragera Martin De Saavedra Alonso <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Granada<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1994<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Antonio P\u00e9rez Pineda<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Miguel Perez Aguilera <\/li>\n<li>Carmen Cano Jimenez (vocal)<\/li>\n<li>Francisco Ba\u00f1os Martos (vocal)<\/li>\n<li>Jes\u00fas De Haro Mart\u00ednez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Gragera Martin De Saavedra Alonso Investigacion teorico-practica que pretende visualizar diversas reaciones formales y cromaticas en contextos [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,3806,1111],"tags":[3808,3810,3811,3807,3812,3809],"class_list":["post-957","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-pintura","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-antonio-perez-pineda","tag-carmen-cano-jimenez","tag-francisco-banos-martos","tag-gragera-martin-de-saavedra-alonso","tag-jesus-de-haro-Martinez","tag-miguel-perez-aguilera"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/957","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=957"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/957\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=957"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=957"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=957"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}