{"id":95803,"date":"2009-08-09T00:00:00","date_gmt":"2009-08-09T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-giro-posmoderno-en-la-comedia-espanola-aplicacion-de-un-modelo-de-analisis-del-genero-cinematografico\/"},"modified":"2009-08-09T00:00:00","modified_gmt":"2009-08-09T00:00:00","slug":"el-giro-posmoderno-en-la-comedia-espanola-aplicacion-de-un-modelo-de-analisis-del-genero-cinematografico","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historias-especializadas\/el-giro-posmoderno-en-la-comedia-espanola-aplicacion-de-un-modelo-de-analisis-del-genero-cinematografico\/","title":{"rendered":"El giro posmoderno en la comedia espa\u00f1ola: aplicaci\u00f3n de un modelo de an\u00e1lisis del g\u00e9nero cinematogr\u00e1fico"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Miguel Fern\u00e1ndez-rodr\u00edguez Labayen <\/strong><\/h2>\n<p>La tesis ofrece un modelo de an\u00e1lisis del g\u00e9nero cinematogr\u00e1fico de la comedia, centr\u00e1ndose en el estudio de producciones f\u00edlmicas espa\u00f1olas entre los a\u00f1os 1992 y 2004. Centrando el objeto de estudio en una serie de filmes realizados por directores noveles en esos a\u00f1os, la tesis investiga la adaptaci\u00f3n y di\u00e1logo de esas pel\u00edculas con la absorci\u00f3n e inmersi\u00f3n de la posmodernidad en espa\u00f1a.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El giro posmoderno en la comedia espa\u00f1ola: aplicaci\u00f3n de un modelo de an\u00e1lisis del g\u00e9nero cinematogr\u00e1fico<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El giro posmoderno en la comedia espa\u00f1ola: aplicaci\u00f3n de un modelo de an\u00e1lisis del g\u00e9nero cinematogr\u00e1fico <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Miguel Fern\u00e1ndez-rodr\u00edguez Labayen <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Aut\u00f3noma de barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 08\/09\/2009<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Francisco Cerd\u00e1n Los Arcos<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jos\u00e9 manuel Palacio arranz <\/li>\n<li>  (vocal)<\/li>\n<li>  (vocal)<\/li>\n<li>  (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Miguel Fern\u00e1ndez-rodr\u00edguez Labayen La tesis ofrece un modelo de an\u00e1lisis del g\u00e9nero cinematogr\u00e1fico de la comedia, centr\u00e1ndose [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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