{"id":95936,"date":"2018-03-11T10:16:04","date_gmt":"2018-03-11T10:16:04","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/del-analisis-multidisciplinar-de-los-procesos-de-creacion-a-una-pedagoga%c2%ada-del-arte-como-propuesta-metodologica-para-una-construccion-cra%c2%adtica-de-la-realidad\/"},"modified":"2018-03-11T10:16:04","modified_gmt":"2018-03-11T10:16:04","slug":"del-analisis-multidisciplinar-de-los-procesos-de-creacion-a-una-pedagoga%c2%ada-del-arte-como-propuesta-metodologica-para-una-construccion-cra%c2%adtica-de-la-realidad","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/pintura\/del-analisis-multidisciplinar-de-los-procesos-de-creacion-a-una-pedagoga%c2%ada-del-arte-como-propuesta-metodologica-para-una-construccion-cra%c2%adtica-de-la-realidad\/","title":{"rendered":"Del an\u00e1lisis multidisciplinar de los procesos de creaci\u00f3n a una pedagogia del arte como propuesta metodol\u00f3gica para una construcci\u00f3n cr\u00edtica de la realidad"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Gabriel Perezzan Pardo <\/strong><\/h2>\n<p>Las dos hip\u00f3tesis sobre las que se estructura la tesis:  a) en un contexto en el que el pensamiento cr\u00edtico se ve cada vez m\u00e1s asediado y relegado por una confusa \u00abcultura del espect\u00e1culo\u00bb, que lo convierte cada m\u00e1s en una suerte de pensamiento difuso; la uni\u00f3n de los conceptos de arte y espect\u00e1culo adquiere pleno sentido en la acci\u00f3n social. b) la realidad es el resultado de un largo y complejo consenso cultural en el que resulta fundamental el \u00abponer en relaci\u00f3n\u00bb.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Del an\u00e1lisis multidisciplinar de los procesos de creaci\u00f3n a una pedagogia del arte como propuesta metodol\u00f3gica para una construcci\u00f3n cr\u00edtica de la realidad<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Del an\u00e1lisis multidisciplinar de los procesos de creaci\u00f3n a una pedagogia del arte como propuesta metodol\u00f3gica para una construcci\u00f3n cr\u00edtica de la realidad <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Gabriel Perezzan Pardo <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Castilla-la mancha<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 16\/09\/2009<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Ana Navarrete Tudela<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Francisco Jarauta marion <\/li>\n<li>patricia Almarcegui elduayen (vocal)<\/li>\n<li>gemma teresa Colesanti (vocal)<\/li>\n<li>ignacio Oliva mompe\u00e1n (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Gabriel Perezzan Pardo Las dos hip\u00f3tesis sobre las que se estructura la tesis: a) en un contexto [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[18451,5547,4363,5270,3806],"tags":[44577,8503,197160,197161,16840,135976],"class_list":["post-95936","post","type-post","status-publish","format-standard","hentry","category-castilla-la-mancha","category-cinematografia","category-escultura","category-fotografia","category-pintura","tag-ana-navarrete-tudela","tag-francisco-jarauta-marion","tag-gabriel-perezzan-pardo","tag-gemma-teresa-colesanti","tag-ignacio-oliva-mompean","tag-patricia-almarcegui-elduayen"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/95936","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=95936"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/95936\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=95936"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=95936"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=95936"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}